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Zero-G - Altered States-VST 2.0-DXi-AU-RTAS (Mac & PC)

2007-12-11T16:14:00.000-08:00

ALTERED STATES is an instrument that will inspire you!! First, it is absolutely MASSIVE (almost 5 Gb, with 3499 instrument patches and thousands of unique source sounds). Second, it is a plug-in virtual instrument powered by a custom high-performance NATIVE INSTRUMENTS interface for shaping and manipulating the sound. Third, the source material is extremely organic, unique, ultra-creative, and virtuoso sound design. And the diversity and flexibility of this stunning resource has to be experienced to be believed.

Much of ALTERED STATES is brand new, and much is from highly-acclaimed and award-winning Zero-G libraries never before available in this format. All sounds have been reorganised and re-categorized from the original ten (yes, 10) incorporated Zero-G libraries and integrated with over a gigabyte of outstanding brand new material. In the rhythm department of the resulting monster library, there are thousands of loops and all are presented in sliced format (via the NI INTAKT Beat Machine) or via the Time Machine, so they will automatically sync to your songs, and you can apply sound-shaping to each slice if you wish.
The contents of all of the following 10 libraries, all of which scored either 4 or 5 stars in review in Sound On Sound magazine (UK), are integrated into this mind-bogglingly powerful instrument:

- Zero-G Ambient Volume 1

- Zero-G Ambient Volume 2 (and ProSamples Volume 36 'Chillout')

- Zero-G Cuckooland Unhinged

- Zero-G Cuckooland Ghost In The Machine

- Zero-G Cuckooland Asylum (and ProSamples Volume 6 'Experimental & FX')

- Zero-G Cuckooland Ambience

- Zero-G Malice In Wonderland

- Zero-G Fields of Motion (and ProSamples Volume 9 'Future Beats 2')

- Zero-G Junk Percussion

- Zero-G Dream Zone (from Creative Essentials)

- Ibiza Chillout (approx 1 Gb of extra brand new material)

The programming, conversion, and organisation of this vast product has been expertly carried out by IAN BODDY, one of the UK's leading synthesists, and has been designed to be as user friendly and logically creative as possible.
ALTERED STATES is one of the most powerfully creative sample-based virtual instruments ever created, a claim which can be justified, even in the face of competition like Spectrasonics' very fine 'Atmosphere'. How? ALTERED STATES has an extremely large and incredibly diverse library of sounds; it has the best software interface, created by NATIVE INSTRUMENTS, the leaders in software synthesis; it's engine is based on the KONTAKT audio engine (the same as in the world's finest and most highly-acclaimed sampler); and all the sounds can also be loaded into NI KONTAKT if desired (see below), meaning it is NOT a closed system. Also, the loops, the LFOs, the FX, everything can be automatically synced to the tempo of your song (making other techniques like Groove Control look cumbersome!), and you have total recall of everything you do, in your sequencer.
The whole of the ALTERED STATES library is presented within a stunning new state-of-the-art plug-in interface by NATIVE INSTRUMENTS which is specifically optimized for, among other things, rhythmic loop playback, manipulation, and creative mayhem. The convenient one-screen interface (a version of NI INTAKT) provides tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and much more. All of the loops in the library have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits (slices) which means they can be played at a wide range of tempos without change in pitch. It also allows the user to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time.

Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops, as well as into the synths, pads, textures and everything else in this absolutely vast and inspiring sound library. Since the software interface is a version of NI's superb INTAKT engine, working with it is fast, easy, and sounds great!

FEATURES:
Library Content:
- Almost 5 Gigabytes of world-class uniquely creative rhythm loops, instruments & samples produced by multi award winning sound designers Ian Boddy, Cuckooland, and others, including 3499 instrument patches!!

http://rapidshare.com/files/75869880/ZrG-AS_kygn.rar

East West - Adrenaline

2007-12-09T13:49:00.000-08:00

QUICK FACTS
Pumping raw MULTI-TRACK CONSTRUCTION KITS of dark, heavy, violent moments injected with raging melodies.
Chest-stomping industrial beats, and tear-your-face-off guitars and thrashing cybernetic dance floor jolts.
Get ready for an ear wretching aural onslaught that could only come from a pure shot of Adrenaline.
Includes a special version of INTAKT SAMPLER from NATIVE INSTRUMENTS (plug-in or standalone) for MAC and PC specifically designed for loop playback.
Compatible with most music software.

OVERVIEW

Are your beats lying comatose in the outbox? Is your latest opus lacking that elusive rush of excitement? Are you feeling like there just something missing? You need a shot of Adrenaline!Searing tek--metal loops fused with fury... thrashing cybernetic dance floor jolts, raging nu metal moments, eerie cutting vibes laced with menace and attitude... Adrenaline provides the sonic landscape for the sound of now. Encapsulating, emotive, energetic, and eerie are just some of the reactions to witnessing the blistering onslaught of the Adrenaline experience. Sit back, pierce/tattoo anyone/everything in sight and be ready for the ear retching aural onslaught that could only come from a pure shot of Adrenaline.Adrenaline is a distinctive cross section of all current musical styles with only one common theme - the ability to inject vital energy into anything it touches. Load up one of the presets and you'll see each of the loops mapped out onto individual keys in a construction kit format. Experiment with the “beat machine” which syncs each multitrack loop to the host sequencer. "Funkify" your percussion loops with sync delay. For that total "other world" dub experience, up the feedback level till it self-oscillates. The creative possibilities are endless! We guarantee you'll be inspired once you get a shot of Adrenaline!

NO SAMPLER REQUIRED!

ADRENALINE includes a stunning new state-of-the-art plug-in audio engine/interface from NATIVE INSTRUMENTS which is specifically designed for rhythmic loop playback, manipulation, and mayhem.

The convenient one-screen interface is based on (and provides all the sound manipulation tools of) NI’s new INTAKT sampler, and features tremendous sound shaping abilities without disrupting the creative flow, including a first-class multimode filter, an envelope follower, two LFOs, effects, and more. The loops have been set up so that they can be automatically synced to tempo, either via the Beat Machine or the Time Machine. The Beat Machine has loops divided into their individual hits (slices) which means they can be played at a wide range of tempos without any change in pitch. It also allows the user to give each hit individual settings for pitch, playback direction, pitch envelope, amp envelope, distortion, delay, and more; a MIDI file of each loop can be easily exported so that groove, accent, and feel can be manipulated in any host sequencer. The Time Machine time-stretches or compresses loops in real time. Not only can you sync, stretch, and pitch the loops, but also filter, effect and modulate them as well! A powerful sound-shaping filter, flexible envelopes, syncable LFOs, and distortion, syncable delay, and lo-fi effects can inject even more energy and individuality into the loops. Since the software interface is based on the KONTAKT engine, working with it is fast, easy, and it sounds great!

AudioEase Speakerphone VST-RTAS v1.01

2007-11-17T00:21:00.000-08:00

A bad GSM connection on a busy sidewalk, a bullhorn with feedback and a helicopter overhead, or a 1952 rockabilly guitar amp in a recording studio live room: The Speakerphone audio plug-in gives you authentic speakers of any size together with their natural environments.All the walkie-talkies, distant transistor radios, upstairs TV sets, bullhorns, cell phones and guitar cabinets you’ll ever need. Speakerphone will add dial tones, operators and static, and you can select from a wealth of ambiences on either the caller or receiver’s end.

270 speaker impulse responses powered by Altiverb, 30 Altiverb rooms, conveniently presented to you in 500 presets.

http://rapidshare.com/files/70101248/AdEsSpkrphnV101.part1.rar
http://rapidshare.com/files/70110977/AdEsSpkrphnV101.part2.rar

Zero-G - Rhythm Guitar&FX - Stylus RMX Library

2007-11-16T15:59:00.000-08:00

A wide range of superb stereo electric and acoustic guitar riffs, licks, rhythms and effects in lots of styles including Funk, Rock, R&B, Country, Disco, Reggae etc.

Produced by Erwin Keiles who has many years of top level experience playing and recording with artists such as Jamiroqui, Take That, Sister Sledge etc. A big selection of samples based on what Erwin is most often asked to provide in the studio.

http://rapidshare.com/files/70087509/Rhythm.Guitar._.FX.part1.rar
http://rapidshare.com/files/70091350/Rhythm.Guitar._.FX.part2.rar

Zero-G - Funk Guitar - Stylus RMX Library

2007-11-16T15:40:00.000-08:00

CLASSIC GUITAR RHYTHMS & EFFECTS, produced by VLAD NASLAS - a best-selling sample collection. This is the warm open sound of classic funk/dance, recaptured by using the guitars, amps and FX of the period. This title is an unbeatable guitar resource for discerning studio professionals.

http://rapidshare.com/files/70073905/Funk.Guitar.part1.rar
http://rapidshare.com/files/70077796/Funk.Guitar.part2.rar

Ambient FX Guitar Loops - Apple Loops

2007-11-16T15:31:00.000-08:00

A 150 MB package containing 125 Apple Loops and files. A good recourse for creating cinematic atmospheres. Recorded with a Stratocaster and a Gibson humbucker pickup guitar, a Sovtek MIG-60 tube amp and a Marshall Lead Series cabinet. Many sounds rely on acoustic feedback in the performance room.

http://rapidshare.com/files/70065253/AFXGAL.rar

KeyToSound - The Production Pack - VST-RTAS-AU

2007-11-16T15:03:00.000-08:00

The Production Packis a collection of four studio quality audio mastering plug-ins available in AU/RTAS/VST formats, 64-bit, universal binary and compatible with Windows Vista!

The Dynamic EQ

The Dynamic EQ is a 64 bit, zero latency signal processor that combines the functions of a compressor with the results of an equalizer. The combination of these features gives the Dynamic EQ an advantage over "static" equalizers in that it can respond in real time to signal input, applying equalization when it is needed, rather than all the time.
Features:

- 4 bands with solo feature and individual metering

- threshold, ratio, attack, and release settings per band

- Frequency, bandwidth, and gain settings per band

- Global metering

- +12db gain output

- A/B setting switching

- MIDI CC learn

The Essential Compressor

The Essential Compressor is an extremely versatile and transparent compressor, designed for the discerning engineer who does not want any coloration or character added to the signal. The Essential Compressor lends itself perfectly for instruments ranging from classical instruments to rock bass and drums.
Features:

- 64 bit

- responsive VU level indicator for input and output signal

- A/B preset switching capable of automated setting changes

- MIDI CC learn

- +/- 24db headroom

The Precision EQ

The Precision EQ is your next go to EQ for precise equalization. Featuring a FFT representation of either the input or output signal, you can see your equalization results, even if your ears deceive you.
featuring:

- 64 bit precision

- 7 bands with Gain, Frequency, and "Q" settings

- 7 different filter types per band

- graphical drag and drop curve setting

- global output metering

The Vintage EQ

The Vintage EQ gets its name from the warmth and character you hear when passing a signal through this EQ. Any seasoned mastering or recording engineer will know that when using a digital EQ, such as the Precision EQ, the frequency reponse appraches 0dB as the signal frequency approaches the Nyquist frequency. The Vintage EQ does the opposite.
A very important element to this powerful EQ is that unlike it's competitors, the Vintage EQ does not use oversampling, since that would require downsampling and pre-filtering (to avoid aliasing) which in turn would ruin the sound.
The Vintage EQ features:
- FFT display of incoming and outgoing signal

- 64 bit precision

- 7 bands with Gain, Frequency, and "Q" settings

- 7 different filter types per band- graphical drag and drop curve setting

- global output metering

http://rapidshare.com/files/70059497/KeyToSound-TheProductionPack.rar

N.I. Guitar Rig VST-RTAS v3.0.1

2007-11-14T21:45:00.000-08:00

The All-Inclusive, Professional Sound Equipment for Guitar and Bass:
GUITAR RIG 3 is the ultimate all-in-one guitar and bass solution. Simply connect your guitar with your computer via the enhanced Rig Kontrol 3 foot pedal and you are ready to go. The on-board studio-quality soundcard routes the signal to your speakers, while the software grants you access to an incredible number of perfectly modeled classic amps, cabinets, mics and effects - all arranged in a super-simple drag-and-drop rack format. Any style, any time - the perfect solution for professional studio and live setups.

Twelve supreme-sounding guitar and bass amps
New matched cabinet module provides tried and true classic sounds in seconds
44 perfectly emulated guitar effects
17 guitar and six bass cabinets, four rotary speakers and nine microphones
Intelligent preset management for fast access to a huge selection of sounds for all styles
Essential tools: Integrated tuner, metronome and two tapedeck modules for easy recording
Premium special features include a loop machine and powerful modifiers
Dedicated "Live View" for performing on stage
Dynamic Tube Response Technology® delivers a profound sonic quality

http://rapidshare.com/files/69712609/NIGRigv301.rar

MemoryMoon.v1.3.VSTi with Presets

2007-11-14T21:10:00.000-08:00

Memorymoon is inspired by the classic synthesizers. The sound is powerful. It has 6 voicecards with 3 oscillators, noise oscillator, amp and 2 filters. Settings above 5V in the mixer introduces overdrive.
Features include: 6 voice unison. Osc sync. Many envelope curves. Graphic envelopes. Arpeggiator and trancegate. Hold function. LFO, Voice-LFO, and Delay-time can be synced to host clock or to tapped tempo. You can tap tempo with a sustainpedal or with a button.
There is "voice-card drift" settings for tune, amp, filter cutoff and pulse width. So each voice-card can sound slightly different. It is also possible to play soundfonts and drum-loops in wav-format. This is intended for live performance.

http://rapidshare.com/files/69654584/mmrymnWxtraprsts.rar

Waves Mercury Bundle

2007-11-12T18:36:00.000-08:00

http://rapidshare.com/files/68915946/WvsMrcryBndle50.part1.rar
http://rapidshare.com/files/68978684/WvsMrcryBndle50.part2.rar
http://rapidshare.com/files/69001217/WvsMrcryBndle50.part3.rar

Sonnox Native Bundle - VST-RTAS

2007-11-12T18:07:00.000-08:00

Oxford EQ
The EQ plug-in is based on the OXF-R3 EQ section. It is a fully functional 5-band application with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. This plug-in may well provide all the EQ you ever needed.
Oxford Dynamics
The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
Sonnox Oxford Inflator
The Inflator is a unique process that can provide an increase in the apparent loudness of almost any programme, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to programme material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.Use the Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.
Sonnox Oxford Reverb
The Sonnox Oxford Reverb plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character.
Sonnox Oxford Limiter
The Sonnox Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximisation or heavily applied artistic sound effects. Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting.Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes.

Sonnox Oxford Transient Modulator

The Sonnox Transient Modulator is an application that allows dynamic level of signals to be modified by the transients in the programme material over time. The effect is to bring transient events in the programme forwards, or push them into to the background, such that the attacks of instruments can be accentuated or softened depending on settings.

Radically changes the dynamics of instruments.
Accentuates or flattens attacks and transients.
Brings sounds forward or push them back.
Increases or reduces the effects of ambience.
Produces rounded and dynamic percussive effects.
Hardens up and give life to dull or flat-sounding recordings and mixes, without the unwanted changes in overall timbre associated with multi-band compression techniques.
Variable harmonic enhancement for extra loudness, presence and 'punch'.
Increases overall modulation potential by the reduction of very short peaks.

http://rapidshare.com/files/68908343/SONativeBundle.rar

Amplitube - Jimi Hendrix VST-RTAS v1.0

2007-11-12T18:02:00.000-08:00

• The first authentic software recreation of the complete guitar amp and effects rig of Jimi Hendrix
• Includes models of extremely rare and collectible vintage stomp boxes, amp heads and cabinets
• A legendary sound that has marked the evolution of modern rock guitar and has influenced some of the greatest guitarists of our time
• Powered by the award-winning AmpliTube 2 engine featuring proprietary techniques such as DSM™ (Dynamic Saturation Modeling) for achieving the most accurate emulation of guitar amps and effects
• 5 separate modules: tuner, configurable stomp pedal board, amp head, cabinet + mic and rack effects

• 4 Amp models

• 7 Cabinet models

• 5 Microphone models

• 9 Stomp Effect models

• 4 Rack Effect models• High-precision Tuner

• 2 Guitar rig chains

• Jimi Hendrix song presets immediately recall the entire rig used

• Plug-In and Standalone version

AmpliTube Jimi Hendrix™ is a cooperative effort between Authentic Hendrix and IK Multimedia. Authentic Hendrix was founded in late 90s, by Al Hendrix and his daughter Janie to curate and promote Jimi’s extensive recorded legacy. Jimi Hendrix was fundamental in the development of modern guitar amplification and guitar effects and marked the evolution of modern electric guitar sound. In only the four years between 1966, when he started his rehearsal sessions with the Jimi Hendrix Experience, and 1970, when he died in London on September 18 at the age of 27, he contributed to change the way music was made and electric guitar was played, leaving a permanent mark on the generations of guitarists and musicians that followed. He is constantly named by guitar and music magazines as the number one guitarist of all time.

The Jimi Hendrix rig
Hendrix’s sound is a unique mix of high volume, feedback control and a exclusive, personal usage of guitar effects which was a breakthrough for its time. By then Hendrix was one of the first guitarists to experiment with the full expressive possibilities of electronic effects, which were a fundamental part of his sound. Electronic effects were a technological novelty in the 60’s with semiconductor electronics in its infancy and the very first commercially available germanium transistors introduced in the mid 50’s gradually replacing tubes in the next two decades.
IK has gone the extra mile in accurately modeling all the most important components of the Hendrix rig not only using proprietary AmpliTube 2 DSM™ (Dynamic Saturation Modeling) technology at its best, but collecting all the original vintage stomps, amplifiers and cabinets and fine tuning the software emulations by ear with accurate craftmanship to achieve incredibly realistic modeling results. A sound that will bring you back to the Woodstock era.
AmpliTube Jimi Hendrix offers the same 2 series/parallel rig structure of AmpliTube 2 and ensures a complete and flexible rig structure that can be used not only to recreate the authentic tones of popular Hendrix tunes but since the modeled gear in this product is in such high demand by guitarists, AmpliTube Jimi Hendrix is a fantastic tool for many styles of modern rock music from hard rock to punk, alternative, progressive and pop.

http://rapidshare.com/files/68905976/AmpltbJHndrxV10.rar

AmpliTube VST-RTAS v2.1.1

2007-11-12T17:51:00.000-08:00

The most popular guitar amp and effects modeling software raises the standard to an unprecedented level of high-quality emulation and extreme flexibility, for crafting the ultimate guitar tone.
• 14 Preamp and 14 EQ models

• 7 Power-Amp models

• 16 Cabinet models

• 6 Microphone models

• 21 Stomp Effect models

• 11 Rack Effect models

• High-precision Tuner

• 2 Guitar rig chains

• Plug-In and Standalone version

Complete Guitar Amp modeling solution and Guitar Effects powerhouse.AmpliTube 2 offers everything needed to craft your own signature guitar tones with 5 separate modules including Tuner, Stomp, Amp Head, Miked Cabinet, and Rack Effects, on 2 series/parallel guitar rigs. 14 Preamps and EQs, 7 Power Amps, 16 Cabinets, 6 Microphones, 21 Stomp Effects, and 11 Rack Effects make AmpliTube 2 the most comprehensive guitar Amp and Effects Modeling software to date.
Ultra accurate modeling of the most sought after guitar gear, with unique DSM™ techology.Over 80 guitar gear emulations, including popular amp models based on Fender®, Vox®, Marshall®, Mesa Boogie®, THD®, Supro®, and more. Stomp Box effects modeled after rare vintage gear including models based on Arbiter® FuzzFace®, Ibanez® Tube Screamer®, MXR® Dynacomp™, MXR® Phase100™, Electro Harmonix® Memory Man™ and more, with AmpliTube’s unique DSM™ (Dynamic Saturation Modeling) technology.
Mix and match amp components to build your own custom amp within 20,000 amp combinations. Only AmpliTube 2 offers each individual guitar amp component modeled separately, allowing you to freely create a staggering 20,000 amp combinations! This means you can mix and match Preamps, EQs, Power Amps and Cabinets of the most famous guitar amps of all time, to make completely new custom hybrid amp creations and get your own, truly personal sound.
Easy to use, with hundreds of presets ready to go.Thanks to its interface neatly organized the same way a guitar rig is laid out, AmpliTube 2 has a more natural organization and feel than many other other amp-simulation softwares in its category. No parameter is ever more than 2 clicks away. In addition, right out of the box, there are over 400 different programmed guitar Amp and Effects preset combinations covering virtually any famous signature guitar tone you may dream of.

http://rapidshare.com/files/68904530/AmplTbV211inclKygn.rar

Waves Artist Presets-Mike Hedges Presets For Waves

2007-11-12T17:43:00.000-08:00

Mike Hedges started his career as a tape operator at Morgan Studios in London in the late 1970s. Upon graduating to engineer, Hedges went freelance in 1981 and quickly moved on to make his mark as a producer. Hedges' first major collaboration was with The Cure and resulted in their debut single Killing An Arab. He soon thereafter opened his own recording facility called the Playground, where he continued to work with The Cure as well as the Associates and Siouxsie and the Banshees. Today, Mike is world-renowned for his innovative work with such varied artists as U2, Dido, and Manic Street Preachers.

Hedges Doppler Presets

Hedges L1 Presets

Hedges MaxxBass Presets

Hedges MetaFlanger Presets

Hedges Morphoder Presets

Hedges Q10 Presets

Hedges RBass Presets

Hedges RChannel Presets

Hedges RVerb Presets

Hedges SSL E Channel Presets

Hedges SuperTap Presets

http://rapidshare.com/files/69329530/MikeHedgesWvsArtstPrsts.rar

Waves L3 LL VST-RTAS v1.0

2007-11-12T03:24:00.000-08:00

Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL’s PLMixer™ Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5 band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

5-Band crossover with phase-compensated filters
IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
Complete L3 preset sharing and saving
ARC™ Automatic Release Control
Double precision bit resolution processing
Up to 24bit 96kHz resolution (TDM 24/48 Accel only)
Mono and Stereo components
Supports TDM, RTAS, Audio Suite, VST, AU

http://rapidshare.com/files/68903072/WvsL3LL.rar

URS Classic Console Strip Pro - VST-RTAS v1.0

2007-11-12T03:12:00.000-08:00

30 Selectable Input Stage Algorithms
60 Selectable Channel Compressor/ Limiter starting points - Pre or Post EQ
5 Selectable EQ Algorithms for each Fully Sweepable Parametric band
Channel Filters - Pre or Post Compressor or Sidechainable
Powerful De-esser and other included special effects
Interactive Signal Flow Display Section follows the signal path
Super DSP efficient URS Classic Console Strip version included

The URS Classic Console Strip Pro is our ultimate multi console in the box channel strip solution. You the engineer create your dream console choosing your favorite algorithms from the Input Stage, Compressor and EQ selections.
Hands on Four Vintage Recording Consoles, Program EQs and Racks of Outboard Compressors digitally recreated in a single plug-in! The URS Classic Console Strip Pro is a revolutionary new way of combining classic sounds into one unified channel strip. This modern concept allows the engineer to create hundreds of custom console starting points from the almost never ending palette of input stages, compressor/limiter and EQ choices all with near zero latency and full 48 bit Double Precision Processing.
Listen to what we believe is the most versatile and best sounding classic console strip that was never made before!
From the moment you put the URS Classic Console Strip Pro input stages in circuit you will hear the difference! Selectable Input Stage Algorithms digitally recreate the sound and characteristics of classic input stages to add warmth. The Input Stage Intensity control adjusts the Input Stage affect from 0-200%. Thirty (30) input stages are presently included:

Three Class A American input transformers
Class A British input transformer
Class A German input transformer
Two Class A tube input stages
15ips 2" tape electronics/head bump
30ips 2" tape electronics/head bump
30ips 1/2" tape electronics/head bump
Fifteen input transformer & tape combos

Five Console Input/Summing Buss stages A Digital transparent Input stage is also provided which adds no colorization, harmonics and/or saturation.
In your face Interactive Signal Flow Button Display No confusion here! The signal flow button display section shows the signal path of Compressor, Filters and EQ sections. The labeling of the buttons updates automatically as per the status of the Compressor and Filters section Pre/Post switches. In addition, each signal flow button acts as a bypass for the section it represents.
Independent Compressor, Filters and EQ sections The Compressor, Filters and EQ sections are totally independent of each other featuring separate In/Out switching via the Signal Flow Button Display. The Compressor section is selectable between Pre/Post the EQ section. The Filters section is selectable Pre/Post /Sidechain the Compressor section.
Compressor/Limiter section features a custom designed versatile channel compressor that can match the sound and characteristics of Diode Bridge, VCA, Fet, Opto, Tube and Tape compression.
The compressor starting points are based on the most prized compressors limiters in recording studio history, The URS Classic Console Strip Pro features 14 classic console compressor/limiter models and 46 outboard compressor/limiter models.
The compressor starting points simultaneously change the input stage algorithms to suit the compressor preset.
The Compressor features fully adjustable Threshold, Ratio, Knee, Attack, Release and Gain Makeup. Adjustable from soft to aggressive!

Presently 60 Compressor presets are included:
Two 1967 Americian Channel Comp presets
Five 1970 British Channel Comp presets
Two 1970 British Channel Limiter presets
Five 1980 British VCA Channel Comp presets
Five Fet presets
Four Opto presets
Room Mic preset
Four Stress presets
Five Tape Compression presets
Twelve Tube Compression presets
Seven American VCA presets
Two Very-New presets
Three Class A Buss Comp presets

Three URS Classic Console Strip presets Filters/Side chain section can be assigned either Pre/Post Compressor or as the Compressor's Side chain. Using the Side chain feature can fine tune how narrow or "Broad Band" the Compressor will affect the program material. Both Filters completely overlap to dial in problem frequencies. The Listen Key is after the Internal/ External Side Chain Filters section. The Listen Key allows you to monitor the signal being sent to the Gain Reduction detection circuit.

Presently 6 Side chain presets are included
Six Classic VCA De-esser presets
Two Drum VCA Ducker presets
British Talkback Mic Preset
Telephone preset Brand New EQ Algorithims The URS Strip Pro features all new EQ Algorithim technolgy. The digitally recreated Analog EQs represent the cutting edge in EQ modeling.
EQ section digitally recreates the sound of four different analog consoles plus a Vintage Tube program EQ. All bands features fully sweepable frequency and "Q" bandwidth selection, The Mid range bands overlap over four octaves of frequency selection. The LF and HF EQ Bands are selectable Peak or Shelving. Each EQ band presently selects from either:

1951 Program EQ - Tube
1967 Console EQ - American 4 Band
1970 Console EQ - British 3 band Class A
1972 Console EQ - British 4 band Class A/B
1980 Console EQ - British 4 Band Room to grow The URS Classic Console Strip Pro’s unified GUI allows room to add more Input Stages, Compressor and EQ algorithms as they are developed.
High Res 48 bit "Double Precision" processing The URS Strip TDM version features Hi Resolution 48-bit TDM and URS Classic Console Strip Native features 64-bit "Double Precision" processing for increased clarity and headroom with unparalleled gain reduction. Hi Resolution "Double Precision" processing helps to avoid internal clipping in the Digital Domain.
Two Plug-ins included The URS Strip Pro includes the super DSP efficient URS Strip version. We call the URS Classic Console Strip the "Easy Eight". The URS Classic Console Strip's eight knobs map perfectly to the Command 8, Digi002, ProjectMix I/O, ProControl, HUI and other popular controllers allowing for quick adjustments on individual tracks. The eight knobs map to Page table 1 and all other functions map to Page table 2.

http://rapidshare.com/files/68902724/URSClsscCnslStrpProv10.rar

Kjaerhus Audio - Golden Uni-Pressor - GUP-1 v1.02 VST

2007-11-12T03:07:00.000-08:00

The Golden Uni-Pressor GUP-1 is a general-purpose compressor made for tracking, mixing and mastering. It offers VCA and Opto models that can be run in a Warm or Smooth mode, and a Program Dependent Envelope (PDE) to decrease pumping and increase loudness. High and low cut filters in the side chain can be used to make frequency dependent compression. The compressed signal can be mixed with the uncompressed one, and that can be used to create upward compression. Three versions are available: stereo, stereo with side chain, and mono with side chain. There is no latency, which makes this the ideal tool for real time performance in the studio or on stage.

Features

Feed forward VCA and Opto modeled compression
Smooth or Warm sound processing
PDE for maximum loudness and minimum pumping
Input Filter to remove sub-noise and DC
Side Chain Compression (Key In)
Side Chain Filters and Listening button
Output Mix and Phase Inversion
AB comparisons
Silent knobs and buttons
Presets
64 Bit Internal Processing
Supports sampling rates up to 192kS/s
Full VST automation
Low CPU usage
No latency
Detailed Users Manual

http://rapidshare.com/files/68902405/KAGldnUni-PrssrGUP-1.v1.02.rar

Kjaerhus Audio - Golden Compressor - GCO-1 v1.12 VST

2007-11-12T03:00:00.000-08:00

The GCO-1 is a versatile quality compressor and expander plugin modeled after some of the best analog compressors. It has an open architecture with many means of adjustment, which ensures that almost any analog sound character can be obtained; from smooth and transparent, to warm and tubeish, or even pumping, if so preferred. It works well with all material for tracking, mixing and mastering. There is no latency, so it is the ideal choice for real time performance in the studio or on stage.

Features

High compression and expansion ratios
Five envelope types including Opto-coupled
Very short attack and release times
Program dependency to avoid pumping
Frequency dependent compression
Adjustable knee and compression linearity
Filters to eliminate low frequency disturbances
Presets
AB comparisons
Silent knobs
64 Bit Internal Processing
Low CPU usage
Supports sampling rates up to 192kHz
Full VST automation
No Latency
Detailed Users Manual

http://rapidshare.com/files/68902074/KAGldnCmprssrGCO-1v112.rar

Antares AVOX Bundle VST-RTAS v1.1.3

2007-11-11T06:48:00.000-08:00

From the company that revolutionized vocal production with Auto-Tune comes AVOX- the Antares Vocal Toolkit. With AVOX, Antares has combined five state-of-the-art vocal processing modules to give you the power you need to create stunning vocal tracks in any musical style as well as design unique vocal effects for audio post-production applications.

The AVOX Antares Vocal Toolkit includes:
THROAT Physical Modeling Vocal Designer

PUNCH Vocal Impact Enhancer

DUO Vocal Modeling Auto-Doubler

CHOIR Vocal Multiplier

SYBIL Variable Frequency De-Esser

http://rapidshare.com/files/68901780/AntrsAVXBndleV113.rar

Antares Autotune VST-RTAS-TDM.v5.08

2007-11-11T06:37:00.000-08:00

The Next Generation of the Worldwide Standard in Professional Pitch Correction
The Fastest, Easiest-To-Use, Highest-Quality Tool for Correcting Pitch

Hailed as a "holy grail of recording," by Recording magazine (and adopted worldwide as the largest-selling audio plug-in of all time), Auto-Tune corrects intonation problems in vocals or solo instruments, in real time, without distortion or artifacts, while preserving all of the expressive nuance of the original performance - with audio quality so pristine that the only difference between what goes in and what comes out is the intonation. All with a user-interface that is a model of clarity, speed and ease-of-use.
For most common pitch problems, Auto-Tune 5's Automatic Mode instantaneously detects the pitch of the input, identifies the closest pitch in a user-specified scale (including minor, major, chromatic and 26 historical and microtonal scales), and corrects the input pitch to match the scale pitch. A Retune Speed control lets you match the retune rate to virtually any performance style.
For meticulous tweaking, the Graphical Mode displays the performance's detected pitch envelope and allows you to draw in the desired pitch using a variety of graphics tools. This mode gives complete control over the correction or modification of the most elaborate expressive gestures.
Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, to save that otherwise once-in-a-lifetime performance, or to create striking special effects, Auto-Tune 5 is the tool of choice.
Prepare to be amazed.
What's New in Auto-Tune 5
Building on the great sound quality, transparent processing and ease of use that have always distinguished Auto-Tune, Auto-Tune 5 adds significant new features as well as a sleek new user interface.
Key new Auto-Tune 5 features include:
Improved pitch detection algorithm: While Auto Tune’s patented pitch detection technology has always provided unmatched speed and accuracy, Auto-Tune 5 introduces improvements in performance with marginal quality (noisy, poorly isolated, etc.) audio.
A sleek new interface: As Auto-Tune’s features have proliferated from version to version, we have continually focused on maintaining its ease of use. With Auto-Tune 5, we have undertaken a complete graphic redesign. The result is both easy on the eyes and logically groups related controls for intuitive functionality.
Consolidated Pitch Tracking control: The previously separate Automatic and Graphical Mode Tracking controls have been consolidated into a single control and relocated to the Options dialog for set-it-andforget-it simplicity.

http://rapidshare.com/files/68901412/AntrsAutotuneV508.rar

Antares Harmony Engine VST-RTAS v1.0

2007-11-11T06:23:00.000-08:00

Harmony Engine – Vocal Modeling Harmony Generator

The quickest, easiest tool for creating realistic harmonies.

From the company that revolutionized professional vocal production with Auto-Tune pitch correction technology, Harmony Engine is a real-time harmony generating plug-in that puts professional-quality vocal harmony arrangements within reach of any songwriter, producer, musician or engineer.
With four independent harmony voices, a variety of powerful harmony generating modes, humanization features for natural sounding performances, and a flexible real-time preset system for harmony and vocal type, Harmony Engine provides incredibly easy-to-use tools to quickly and easily produce virtually any vocal arrangement you can imagine.
Whether you're an experienced vocal arranger, a songwriter looking for that perfect backup vocal, or a composer experimenting with unique vocal effects, Harmony Engine gives you entirely new ways to create the harmony parts you hear in your head. In fact, experimenting with different harmonies is so easy (and, dare we suggest, fun), you may find yourself using Harmony Engine to explore harmonic alternatives you may have never otherwise considered.
Key Harmony Engine Features Include:
* Four high-quality, formant-corrected harmony voices with independent vocal character, vibrato, and pan settings
* Antares Throat Modeling technology that lets you process each harmony voice through a physical model of the human vocal tract
* A variety of innovative Harmony Control modes, from fully automatic to individual control of every note:
Fixed or Scale Intervals: Simply set the key and harmony voice intervals and let Harmony Engine do the rest
Chord Degrees or Chord Name: Define your harmony chord-by-chord, complete with inversions and variable vocal ranges
Chord by MIDI: Define your harmony in real time via a MIDI controller or pre-recorded MIDI track
MIDI Omni: Directly "play" the four harmony voices as if they were voices of a synth or sampler
MIDI Channel: Use four separate MIDI channels for absolute control over each note of your vocal arrangement
* Spread and Register controls that allow you to quickly and intuitively set the pitch range and harmony style of your vocal arrangement
* Humanize functions that provide selectable amounts of variation to each harmony voice for realistic, natural sounding results
* A Freeze function that allows a unique variety of backup vocal effects by letting you instantly freeze pitch and/or formant articulation
* A Harmony Preset matrix that lets you create up to 15 complete harmony settings and instantaneously recall them in real time or via automation
* A Voice Parameter Preset matrix that lets you create and instantly recall up to 6 different "vocal groups"
* Five-channel output capability (host dependent) that lets you assign or export the original input and each of the four harmony voices to their own channels for further processing
* And lots more...

http://rapidshare.com/files/68901052/AntrsHarmonyEngineV10.rar

db audioware - Sidechain Compressor

2007-11-11T05:45:00.000-08:00

The versatile plug-in compressor with true multi track side-chaining operation.

NEW! Version 1.1.0 adds manual gain control and ability to side-chain multiple receive tracks from a single send track.

Side-chaining compressors are amazingly useful effects. They are standard issue tools for vocal ducking in radio production, to fade out music when a narrator is speaking. They are also insanely popular in dance production, able to make your whole mix "pump" or "breathe" by following a kick drum.
Unfortunately, side-chaining in software can be tricky. Some audio programs simply do not support it, others require pretty complex routing techniques.
The good news is that Sidechain Compressor is easy to use, and works in almost any audio software package - even those that do not directly support side-chaining***. It only takes a few mouse clicks and you're up and running!
Our Finest Sound Yet
As if that wasn't enough, we have completely re-designed the compression algorithm for a more analogue response. This compressor offers more character, control and flexibility than any previous db audioware compressor (and we've built a few over the years).
Smooth sounding compression is possible with very short attack/release times. Sidechain Compressor actually performs wonderfully as a standard channel insert compressor, and by tuning the EQ and Shape controls, you can completely modify the response and sound of the compressor.

Features

all-new compression algorithm with great vintage sound
easy multi track side-chaining based on db audioware's Universal Sidechains
NEW! one-to-one-track or one-to-many-tracks side-chaining
elegant user interface with clear visual feedback
precision control over the compression response (EQ & Shape)
NEW! gain control for manual gain make-up or fine adjustment of output level
auto-gain with integrated limiter
full MIDI control, with easy to use MIDI Learn

http://rapidshare.com/files/68900767/dbaSdchnCmprssr.rar

Loopmasters - Producer Essentials - Stylus RMX Library

2007-11-10T13:16:00.000-08:00

A 'must have' collection of sounds, loops, riffs, and multisamples that every serious producer should have in their sample collection.
Featuring drum machines, guitar riffs and multis (acoustic and electric), basslines (real and synth), keyboard multis and an exhaustive collection of awesome live played drum loops recorded in crisp stereo make this the definitive all round Sample collection for the producer in situ or on the move - have toolbox - will travel!
Awesome Scratch Samples, Consumate live played drums and percussion, live bass parts, sequenced bass loops, essential drum kits and much more!

Tech Specs: String and Wind multis, Essential Keys (Hammond/Moog/JP/Rhodes), Guitars (loops,strums and multis),

http://rapidshare.com/files/68756604/LMPrdcrEssntls.part1.rar
http://rapidshare.com/files/68759267/LMPrdcrEssntls.part2.rar

Loopmasters - Downbeat Guitars

2007-11-10T13:13:00.000-08:00

Downbeat Guitars is the latest download only release from Loopmasters featuring some incredibly useful and versatile downbeat and chillout Acoustic Guitar loops and samples from Rob Humphreys, a relatively undiscovered great new talent who lives in Brighton, Uk. Rob has put in some serious work on these loops as his first commission for Loopmasters and we are very proud to bring you the results!
Rob has created a simply amazing set of inspirational Downbeat Guitar Samples for use across a broad range of music styles including Lounge, Chillout, Ambient, Indie, Dance and Cross Genre productions. If you have been inspired by the likes of Air, Zero-7, Morcheeba, Aim etc and are looking for a fresh collection of guitar inspiration for your productions, we think you will be blown away by the quality and originality of this acoustic guitar sample pack.
The Pack includes 75 Acidised Wav guitar loops (many 4 bar versions) and 75 Rex Loops for use in Reason, Cubase, Logic etc
Also included are 5 Guitar Noise Samples for added realism when using the loops. The Tempos for these awesome Acoustic Guitar Samples start at 70Bpm, and progress through 80, 90,100, 110 and finally at 120 Bpm.
Presented in Acidised Wav and Rex2 formats here as a Zip file, simply download and enjoy using these samples immediately!.
As usual with all Loopmasters Cds and download packs, all material contained within this release is 100% royalty free for you to use in your music, so make the tracks and fill the dancefloor with Loopmasters.

230MB: 75 Wav Loops, 75 Rex2 Loops, 5 Noises

http://rapidshare.com/files/68771809/LMDwnbtGtrs.part1.rar
http://rapidshare.com/files/68777789/LMDwnbtGtrs.part2.rar

Ilio Stark Raving Beats SAGE Xpander

2007-11-10T12:43:00.000-08:00

Here's a wicked set of hard and fast grooves, based on live drum kit performances, mixed and remixed with wildly processed electronics and banging percussion. 100% Groove Control™ activated for endless tempo, feel and mix possibilities, SRB will bring out the monster in you!All Go, No Slow! SRB starts at 105 BPM and accelerates to 170. If that's not fast enough for you, speed it up with Groove Control! Every groove has an aggressive style, that can burn rubber at any tempo. It's great for Progressive, Jungle and D 'n' B styles, even Pop and Rock but use your imagination to dissolve, distort and destroy these gems any way you like.The mix possibilities are literally endless. Not only up to three mixes per groove, but each groove comes with tightly isolated kick, snare, hat, room, effects, percussion and alternate parts. In all, there are hundreds of loops that you can mix and match millions of ways. It's extreme separation makes it a natural to combine with Skippy's Noizbox, Big Bad Beats, Ethno Techno, or any of the Groove Control activated libraries from Spectrasonics!Performed and remixed by loopologist Chris O'Brien, SRB is a perfect blend of Hi-Fi impact and a reckless attitude. If you have a need for speed and a passion for aggression, then you must have Stark Raving Beats!Enhance the variety of choices for the newly released Stylus RMX virtual groove instrument. S.A.G.E. Xpanders on DVD-ROM are based on award-winning collections from Spectrasonics and can be easily added to Stylus RMX's already massive core library.All S.A.G.E. Xpanders include a special bonus section, which has hundreds of interesting grooves from Spectrasonics' Vocal Planet, Bizarre Guitar and Distorted Reality libraries. Each Xpander also includes a unique set of creative Stylus RMX Multi patches that take advantage of the incredible S.A.G.E. (Spectrasonics Advanced Groove Engine) features of Stylus RMX and show the potential of the Xpander when used in combination with the RMX Core Library and the Bonus section.Users who already own one of these Groove Control™ CD-ROM sample libraries can easily convert them with the S.A.G.E. Converter utility that comes with Stylus RMX. The converted files will be exactly the same as the ones included in the S.A.G.E. Xpanders, except for the Xpanders' bonus files. This bonus section is the same on every Xpander.

http://rapidshare.com/files/68632297/StylsRMXStrkRvngBtsIlSGXpndr.part1.rar
http://rapidshare.com/files/68664608/StylsRMXStrkRvngBtsIlSGXpndr.part2.rar
http://rapidshare.com/files/68674296/StylsRMXStrkRvngBtsIlSGXpndr.part3.rar
http://rapidshare.com/files/68693053/StylsRMXStrkRvngBtsIlSGXpndr.part4.rar
http://rapidshare.com/files/68719983/StylsRMXStrkRvngBtsIlSGXpndr.part5.rar
http://rapidshare.com/files/68739767/StylsRMXStrkRvngBtsIlSGXpndr.part6.rar
http://rapidshare.com/files/68739794/StylsRMXStrkRvngBtsIlSGXpndr.part7.rar

Prosoniq Time Factory v2.0.2

2007-11-10T12:22:00.000-08:00

Prosoniq TimeFactory 2 takes time stretching and pitch shifting one step further.

Dynamic TimeStretch/Pitch Shift/Formant Change: TimeFactory 2 combines the unparalleled quality of TimeFactory with a comprehensive and versatile editor that allows dynamic time stretch, pitch shift and formant moves in a way that makes it indispensable for any production. Change the rhythm of a drum track, the emphasis of a voiceover, or create weird special effects by moving formants in one direction while changing the pitch independently - the possibilities are endless.
Surround: Also, version 2 offers 5.1, 6.1 and even 7.1 surround processing in perfect phase sync - converting between different frame rates for film and tv has never been easier!
Optimized processing: TimeFactory makes use of the latest version of Prosoniq MPEX2 - industries' standard in time stretching and pitch shifting. The latest version has been tremedously improved in both quality and speed of processing. Almost every major digital audio workstation or audio application on the Mac and PC uses MPEX to achieve high quality, crystal-clear audio time stretching.

TimeFactory is the only software exclusively dedicated to performing high quality near-lossless time and pitch scaling on monophonic and polyphonic music signals. It uses the latest advances in DSP technology to achieve time scaling amounts of up to one third the original length, corresponding to a time stretching factor of 133% and more (or pitch scaling of up to 5 semitones) without audible loss in quality. This is as much as slowing down a complete music piece from 120 BPM to 90 BPM, or vice-versa.
Conventional methods used in todays DAW software and commercial applications either suffer from unpleasant harmonic distortion, timing inconsistencies and echoes even at small time scaling ratios, or introduce severe smearing or reverberation that makes the results inacceptable for professional audio purposes when applied to complete musical pieces. TimeFactory™ now offers unprecedented audio quality, easily outperforming all known applications in both quality and achieved time scaling ratio. With TimeFactory™, you are free to choose the tempo of your recording at a result that is indistinguishable from the original within a large range of scaling ratios, without endlessly tweaking dozens of parameters.
Whether you wish to time scale individual sound files of a recording session or the final mixdown, whether you are processing classical or 'drum & bass' style music, TimeFactory™ is a simple click-and-go application with straightforward user interface and easy to use batch processing capabilities. It accepts sound files in AIFF and WAVE file formats of any word length and sample rate, even 24bit 96kHz or split stereo files are no problem. No more worrying about the eventual outcome of time consuming parameter tweaking sessions, just set the desired time scaling ratio and click to process your audio files within minutes.
Prosoniq's proprietary timbreWizard algorithm allows for natural pitch shifts, avoiding the common 'munchkinization syndrome' you will hear when trying other software to do pitch shifting.

http://rapidshare.com/files/68618986/ProsoniqTimefactoryv202.rar

RSO Extreme Punch v3

2007-11-10T12:12:00.000-08:00

Ever wonder how musical groups like the Beatles got such good sounding recordings?One of the reasons is that the older tape based technology was inherently warmer.Digital recordings can sometimes sound a bit sterile, lacking the more musical warmth of the older ?vintage? technology. Extreme Punch is a tool designed to not only warm up your digital recordings but also make them more inviting.Extreme Punch makes the job of mixing music easier while making your recordings warmer and fatter.

http://rapidshare.com/files/68472505/RSOExTremePunch3.rar

Izotope RX v1.03

2007-11-10T00:29:00.000-08:00

Audio Restoration Redefined
iZotope RX™ is the most complete audio restoration product on the market, a unique standalone application designed from the ground up to combat a range of audio problems. In addition to unique workflow features designed to help you get the best results, RX's powerful tools can do processing that plug-in based restoration products simply cannot do. This paired with completely new processing technology results in cleaner, more natural sounding noise reduction and audio repair. RX is ideal for audio restoration and archiving, recording and mastering, broadcasting and podcasting, video production, forensics, and any application that demands spotless results and a truly complete range of restoration tools.
Next Generation Technology
iZotope has spent the last four years developing novel methods for revitalizing noisy and damaged audio, and iZotope RX represents a new milestone in restoration technology.
RX's Denoiser uses techniques adapted from digital imaging to reduce artifacts introduced by noise suppression, leading to more natural results with fewer distracting artifacts.
RX's Spectral Repair module can intelligently re-synthesize corrupted or missing audio with striking results, even recreating details like the vibrato on a singer's voice or changes in pitch.
Many of RX's modules, like the Declipper, use advanced multi-band and multiresolution processing techniques to achieve impressive results.

http://rapidshare.com/files/68621962/iZotopeRXv1.03inclKyGn.rar

Loud Technologies - EAW - Smaart v6.0

2007-11-09T19:21:00.000-08:00

Smaart is the most straightforward and widely used software for real-time sound system measurement, optimization and control, and now, it’s also backed by the full weight of EAW’s renowned development and support services.
Smaart v.6 performs dual-channel, FFT-based audio measurement in an intuitive, accessible interface that seamlessly integrates measurement, analysis, and data logging. It can also remotely control an extensive, constantly expanding list of professional equalizers and DSP processors.
Rebuilt from the ground up, Smaart v.6 features significantly modernized architecture to unleash the potential of the latest microprocessors and multitasking operating systems.
Further, Smaart v.6 now runs native under both Mac OS X and Windows from the same unified source code. While the Windows platform has been the dominant platform for pro audio system engineering for the past decade, the OS X platform has always retained significant penetration and is rapidly becoming the preferred platform throughout the professional audio market.
Smaart v.6 also features a new, streamlined interface that enables users to tap the power of the new software architecture while preserving the renowned usability of previous Smaart versions – developed from over decade of input from the largest (and still rapidly growing!) user base in the industry.

Support for ASIO Multi-Channel Input Devices

Smaart v.6 can receive multi-channel inputs via ASIO under Windows or Core Audio on Mac OS X, enabling selection of measurement signals from a multi-channel device within Smaart. This new data acquisition module opens up a vast array of multi-channel audio devices now available on the market, such as the Mackie Onyx 800F FireWire preamp. It also greatly simplifies the hardware setup requirements for operating a multi-microphone Smaart measurement rig.

New Real-Time Measurement Mode

All Smaart real-time measurements (RTA, Spectrograph, Transfer Function (magnitude and phase), and Impulse Response now run concurrently, and any two measurements can be viewed simultaneously. The result is the ability to run hybrid measurement modes that display real-time Spectrum and Frequency Response data at the same time. This platform allows operators to significantly expand the way they measure and address their sound systems.

Two-Channel RTA: Selectable linear or fractional octave banding (down to 1/24th octave resolution), peak-hold, THD calculation, user-defined timed averaging, and standard Noise Criterion curves (when calibrated for SPL measurement).
Single-Channel Spectrograph: 3-D display of a signal’s spectral content over time helps identify feedback frequencies, system resonances, and mechanical noise.
Frequency Response Magnitude & Coherence: Measurements down to 1/24th octave resolution of system magnitude response with comprehensive rms and vector averaging functionality and a corresponding Coherence measurement indicating data quality/stability.
Phase Response: Measurements down to 1/24th octave resolution of system phase response.

Enhanced Impulse Response Mode

Impulse Response Mode now operates in its own window that runs independently of real-time Spectrum and Transfer Function measurements. The Impulse Response Mode has also been expanded to include intuitive tools for analyzing and dissecting IR measurements on the fly, such as a user-specified time window function for retrieving frequency domain data from specific portions of an impulse response.

Expanded Signal Generator Functionality

Smaart v.6 adds triggered swept sine waves for impulse response measurements to its standard list of generator signals and functions. The triggered swept sine functionality operates with the FFT length-specific, synchronized measurement sources, and enables the user to do traditional laboratory and QC measurements.

Increased Data Storage and Display Capacity

Smaart v.6 has dramatically increased capability for storing, recalling, and displaying a virtually unlimited number of reference data traces such as Frequency Response and RTA. Moreover, all captured measurements are now stored directly to the hard drive to prevent accidental loss due to power failures or other interruptions. Advanced trace averaging capabilities have also been added.

Object-Oriented, Multi-Threaded Program Architecture

Multiple sessions of Smaart can now run simultaneously, allowing for the integration of multiple simultaneous system measurements in later releases. A new API (Application Programming Interface) allows other software programs – even third party programs such as Dolby Lake - to import Smaart data and control the Smaart measurement engines remotely. And, with code base portability, Smaart’s measurement engines are now separate code “objects” that can be integrated into other EAW/LOUD Technologies products such as the SPL meter on the new EAW UMX.96 digital mixing console.

Powerful new architecture and streamlined interface
Now operates with ASIO multi-channel input devices
New Real-Time measurement mode and enhanced Impulse Response mode
Increased data storage and display capability
Expanded Signal Generator functionality

http://rapidshare.com/files/68655645/LdTchnlgsEAWSmrt.rar

Film-Composer - ExtremeDelay

2007-11-09T17:17:00.000-08:00

If you want to spice up your music with really special effects, the best choice is EXTREMEDELAY. This program is a Ping-Pong Delay with Chorus, flanger and filter functions. The sound of the delay can be modified with the effects in a way that the original sound remains unchanged. The program has 19 different delay timing and any kind of preset can be saved on it.

http://rapidshare.com/files/68618458/FilmComposerExtremeDelayv1.rar

Audio Damage - Vapor

2007-11-09T17:09:00.000-08:00

What on earth is diffusion chorus? As the name implies, it has diffusion (sort of a red-headed step-child of reverb) and modulating delays (which, as we all know, equals "chorus"). Vapor takes this underused effect, usually only available in high-end hardware boxes, and makes it available to anyone. Vapor's main purpose is to add top-end shimmer to pads, strings, and rhythm guitar to make those sounds cut through the mix. However, at more extreme settings, unique modulation effects can easily be attained.

Features:
» Able to do a broad range of modulation effects, from simple diffusion to extreme mod
» Optimized for low CPU usage
» Full MIDI learn on every parameter for hardware control

http://rapidshare.com/files/68618329/AudioDamageVaporv1InclKygn.rar

AudioDamage - Fluid

2007-11-09T17:03:00.000-08:00

Why do most software chorus plug-ins sound like crap? We can't answer that question, but we did the next best thing: we created one that doesn't. Fluid is an analog-modeled chorus that, if we may be so bold, cleans the floor with the typical chorus that comes with your DAW. For subtle phasey widening and full-on modulation mayhem, it makes chorus a usable effect again, from giving pads a wide stereo stage to livening up stiff and static guitar parts.

Features:
» True stereo analog-modeled chorus effect
» Feedback control for extreme special effects
» Optimized for low CPU usage
» Full MIDI learn on every parameter for hardware control

http://rapidshare.com/files/68618140/AudioDamageFluidv1InclKygn.rar

Crysonic SINDO v1.0 VST

2007-11-09T01:24:00.000-08:00

SINDO is a hybrid stereo image expander (widener) / Narrower offering extremely high level of mono compatibility with minimal side effects. Designed for efficiency SINDO comprises of crysonics' intuitive user interface. SINDO allows to broaden and 'sweeten' the spaciousness of the stereo image whilst retaining mono compatibility and not effecting the tonal character of the original sound. The fatiguing 'phasiness' found in other processors of this type has been avoided by offering a simple three dial process. Phase-compensated ' Shuffler ' is also included to enhance and improve the spaciousness of bass frequencies without introducing 'phasiness'

SINDO™ main features

• Hybrid M / S Stereo image expander and narrower

• Classic ' Shuffler ' for bass Stereo enhacement

• Very Transparent and Mono-compatible

• Minimum ' Phasiness'

• Retaining the tonal character of original audio

• 8 custom presets

• Full automation for all parameters via the host

• Low CPU usage

• 64-bit internal precision

• 24bit/96Khz audio support

• Highly optimized custom DSP code

• Mastering, Mixing, restoration, audio post production and track sweetening.
Applications
• Transparently enhance the Spaciousness of any Audio with mono-compatibility

• Accurately target and re-adjust stereo level-ballance

• Widen existing stereo image without artifacts

• Enhance Bass Spaciousness of any Audio with mono-compatibility

http://rapidshare.com/files/68470572/CrysonicSINDOv10.rar

Brainworkx - BX_Control - MS Mastering Tool

2007-11-09T01:18:00.000-08:00

bx_control is a CONTROL LISTENING TOOL and an M/S MATRIX with built-in MONO MAKER & STEREO WIDTH CONTROL. bx_control also features Hi Resolution LEVEL LEDs for PEAK and RMS levels.
This nice little tool can be used for a wide variety of sophisticated applications, such as chaining ANY stereo plug-in (even tools from other manufacturers) into a Brainworx M/S matrix (you need to use 2 instances of bx_control before and after the plug-in(s) that is / are to be "chained" into the M/S matrix), control the STEREO WIDTH of full mixes in mastering sessions or single stereo signals in mix sessions, mono-ing out bass-frequencies of stereo mixes / signals with our unique MONO MAKER tool, plus SOLO listening to M (mono sum), S (stereo difference signal), L (left channel) or R (right channel) phase-corrected ans mono-ed on BOTH speakers with its 4 dedicated SOLO BUTTONS, another Brainworx invention. Easily SWAP channels with its L/R flip button.
bx_control is also a PERFECT M/S RECORDING TOOL: use it as a LATENCY FREE M/S MATRIX in recording situations. Simply "feed" the bx_control with individual M & S microphone signals and they will be transformed into L/R stereo format "on the fly" while you can control the stereo width, solo listen to your M&S mics and mono out your bass frequencies with the MONO MAKER.

http://rapidshare.com/files/68470247/BrainworxBXControlv10.rar

Loopmasters - Soulful House Sessions

2007-11-08T19:42:00.000-08:00

Tech Specs:

Package featuring over 1500 copyright free Soulful house samples, 1000 Wavfiles, 470 Rex2 Loops, and 37 Patches for NNXT, Halion, Kontakt, EXS24.

Soulful House Sessions brings you an incredible selection of samples from the dance floors of the hottest international clubs directly to your mix. Inspiration comes from the DJ`s and Clubs round the world dedicated to the finest in soulful and funky house grooves. Artists such as Masters At Work, Copyright, Jamie Lewis, Joey Negro, Micheal Watford, Kerri Chandler, Mr V and Miguel. Legendry labels such as King Street, NRK, Naked, Wave, Refunkt, Soufuric and SUSU to name a few have provided the musical back drop against which this CD positions its style and feel.
In a deliberate attempt to move away from the many plethora of disco orientated sample products on the markret, this sample cd does things cooler and more sophisticatedly than any product yet released. The beats encapsulate the more laid back soulful house grooves, more jackin styles, and also live and latino spirited grooves. Featuring hundreds of fat and fresh soulful house drum and percussion loops, funky guitars, soft and expressive keys, live trumpet, inspirational male and female vocals, funky filtered live and synth basslines, pads, fx and much more!
The package includes Acidised Wav and Rex2 samples, and patches for Reasons NNXT, Halion, Kontakt, and EXS-24 samplers. Only the best musicians, studios and recording equipment have been used in the making of this CD, and every sample is guaranteed copyright free for use in your music.

http://rapidshare.com/files/68292733/Soulful_House_Sessions.part1.rar
http://rapidshare.com/files/68327571/Soulful_House_Sessions.part2.rar
http://rapidshare.com/files/68357219/Soulful_House_Sessions.part3.rar
http://rapidshare.com/files/68383037/Soulful_House_Sessions.part4.rar
http://rapidshare.com/files/68393034/Soulful_House_Sessions.part5.rar

ReFX Vanguard Presets Bundle

2007-11-08T01:39:00.000-08:00

Inside in this pack:

Make Your Own Presets - TUTORIAL
Bigtone Silicon Frontier
MoKuM JUMP One
NextBeat.Dance.Basics.Soundbank
ProSounds.New.Variants.Bank
ProSounds.Quantum.Consciousness
ProSounds.Sound.Sensations.Vol.1
ProSounds.Sound.Sensations.Vol.2
ProSounds.Underground.Sounds.Bank.1
ProSounds.Unstable.Oscillators
Prosounds.Virus.Dream.Bank1.Vanguard.Soundset-iNViSiON
reFX Vanguard Presets for v1.6.1
Sounds of Revolution 1
Sounds of Revolution 2
Synthation Vanguard Essentials

http://rapidshare.com/files/68243354/VanguardPresetsBundle.rar

ReFX Vanguard VSTi v1.7.1

2007-11-08T00:43:00.000-08:00

New style, new sounds, new inspiration!reFX presents VANGUARD, a new breed of virtual analog synthesizers. VANGUARD is the long awaited replacement for your old 19" hardware gear which you will never use again after you have tried VANGUARD.VANGUARD is a complete new product. reFX has put all its knowledge and experience collected over the years into this project, and the result is audible: virtual analog synthesis has just made a big step forward.VANGUARD combines the good old analog synthesizer idea with the latest technology. All analog devices of classic synthesizers are emulated by high-quality DSP (digital signal processing) functions. reFX spent a lot of time programming the synthesis functions, and the result is a warm and rich sounding synthesizer plugin with all the benefits of todays digital technology.VANGUARD is more than just a simple synthesizer. It is equipped with 31 different type of oscillators, including uncommon digital oscillators with fresh modulation options. There is also a huge selection of filters. 13 filter types are onboard with different slopes and including a new kind of combined dual-filter variations.In need of inspiration? No problem for VANGUARD - the trancegate and arpeggiator can help you out! The trancegate is a 16-step stereo-gate to create rhythmic gated patterns and the arpgeggiator comes with inspiring patterns and several play modes. In addition to these creative tools VANGUARD is equipped with a delay and reverb.

http://rapidshare.com/files/68242444/RFX.Vngrd.VSTiv171-AiR.rar

Roger Nichols Digital InspectorXL VST-RTAS v1.2

2007-11-07T23:55:00.000-08:00

A new approach to Analysis, Six professional Meters

Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
"I wish I had better meters ... I wish I had better meters ..."
How many times have you wished for larger meters? Change the color of your meters? More flexible meters? Or more standard meters than those available in your host DAW? Inspector XL's meters answer all of these needs and more. Amazingly configurable, infinitely usable meters you should not be without. Horizontal and vertical layout with customizable color, range, ballistics, zero reference, and so on. And still supporting standard level meter formats including K-System and IEC Digital PPM. Inspector XL has got you covered with professional meters you can use anywhere and everywhere.
Choices, choices, and more choices
If you like choices and who doesn't?, Inspector XL offers you plenty. Each module provides a range of color and configuration choices. Use the integrated, easy-to-use color picker to customize the color of your spectral analysis, phase scope or level meter data. Select from FFT, Spectagram, or ISO Third Octave spectral analysis to match your needs. Display all spectral data you need to see: Peak, Peak Hold, Average (or any combination) and choose the default Third Octave analysis data type. View phase in traditional XY or Vector modes or utilize RNDigital's intuitive Polar mode - each individually configurable, of course. Use standard meters if you want or stretch out and customize your Dow integrated or separate peak/RMS; customizable caution and warning zones; plus selectable primary meter type (peak/RMS) are just a few of the available options.
But, wait - there's more
Inspector XL isn't just a pretty face, it was designed with the features you need to make everyday use a joy. Save and Load function means you can save task-specific settings for future reference. Inspector XL's innovative "Import" function allows you to extract color settings, saved spectral snapshots and other selected data from a settings file without over-writing all of your current parameters. And if you're familiar with RND's concept of alarms, you'll appreciate Inspector XL's approach. Extensive alarm functions include warnings for correlation and max band level to over and clipping statistics. Inspector XL even allows you to define a clip in your own terms for statistical analysis relevant to your sessions. Alarm groups and alarm severities let you further customize alarm behavior. Inspector XL has so much to offer...
Professional, flexible, fully customizable, easy-to-use. What more could you want from an analyzer?

http://rapidshare.com/files/67859498/Roger.Nichols.Digital.InspectorXL.VST.RTAS.v1.2-AiR.rar

Roger Nichols Digital UNIQUEL-IZER VST-RTAS v1.0

2007-11-07T23:52:00.000-08:00

A new approach to Equalization, Build the EQ you Need on the Fly

Go on, be the boss
Why work within the confines of an EQ configuration of someone else's choosing? UNIQUEL-IZER lets you determine your ideal EQ. If you ever need more bands or filters, they're just a click away. No need to swap out for another EQ or use another insert slot. UNIQUEL-IZER lets you be the boss.
Variety is the key
From standard to specialty filters, the unprecedented selection lets you be the master of your EQ. Use the 4 and 8 harmonic parametrics to remove A/C line noise (i.e. hum) or use the steep notch to remove unwanted tones. With 11 filter types available, there's a filter for every occasion.
Get Ready to Flex
Activate or inactivate filters on the fly or solo an individual filter to hear only its effect. Two workspaces allow you to compare EQ's to zero in on the ideal settings for your mix. Boost or cut your signal by +/- 24 dB. Zoom in on the filter graph for editing precision. Save your EQ's with integrated Save and Load. Import previously saved filters into your current EQ session.

http://rapidshare.com/files/67849258/Roger.Nichols.Digital.UNIQUEL-IZER.VST.RTAS.v1.0-AiR.rar

Roger Nichols Digital DYNAM-IZER VST-RTAS v1.2

2007-11-07T23:48:00.000-08:00

The only Fundamentally New Sound Processing Tool in Decades

Get In The Zone
Don't get confused - this is not multi-band compression. DYNAM-IZER is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor - you won't get far. DYNAM-IZER lets you break your audio levels up into "zones" so you can control them exactly how you want. No one size fits all compression here.
What Are You Looking At?
Thought you knew compression? Think again. DYNAM-IZER lets you visualize compression in a way you've never seen before (no transfer curves here). Just like a graphic equalizer provides valuable information for your equalization efforts, so does DYNAM-IZER provide critical info for your compression efforts. No more shooting in the dark - just the info you need for total control.
That's The Key
Left channel, right channel, both or side chain - DYNAM-IZER let's you choose the audio that will trigger its compression. Like it fast and hard or slow and smooth? You choose: select from Peak or RMS analysis of your key to get the results you want. And once you've got that nailed, get busy with the three available filters (7 filter types to choose from) to tweak your key audio to meet your needs. Whether you're ducking, de-essing or trying something new, DYNAM-IZER's key has you covered.
Features, Features, Everywhere
DYNAM-IZER's compression meters indicate how your attack and release are affecting the compression. Cloud meters show you where your audio levels are concentrated. There's even a built-in "Auto-Limiter" for those times when you want to ensure your audio doesn't go in the red. Automatic gain compensation, look-ahead, and more.

What you see is what you get
A comprehensive set of meters lets you adjust Detailer settings to perfectly match the specific characteristics of your audio signals.

http://rapidshare.com/files/67843884/Roger.Nichols.Digital.DYNAM-IZER.VST.RTAS.v1.2-AiR.rar

Roger Nichols Digital FREQUAL-IZER VST-RTAS v1.2

2007-11-07T23:40:00.000-08:00

Linear Phase Mastering EQ & Matchmaker

FREQUAL-IZER builds a complex FIR (Finite Impulse Response) filter to your specifications. See the results of your EQ with the built-in spectrum analyzer. FREQUAL-IZER will not color your audio with the introduction of non-linear phase shift.
Meet Your Match
Ever wanted to make one track sound more like another? Need to bring together takes recorded in different spaces? FREQUAL-IZER's spectrum matching feature provides you with all this and more. Learn the frequency response of one audio source and apply it to another for technical adjustment or creative effect.)
All 50 States
Use FREQUAL-IZER's 50 States to store EQ's for instant recall or automation. Add, delete, copy, and move the EQ states you create or have FREQUAL-IZER intelligently "fill" empty states, morphing between selected EQ's. Working with States is a snap when you use the States Overview to visualize all 50 available states.
Features Galore
A comprehensive history and two workspaces allow you to easily compare and contrast different EQ's. Edit each channel individually or choose from four linking modes to designate how changes to one channel will affect the other. Scale, smooth, or sweep your entire EQ curve. Boost or cut your signal by +/- 18 dB. Customize the spectral display to only show what is of interest to you.

http://rapidshare.com/files/67841001/Roger.Nichols.Digital.FREQUAL-IZER.VST.RTAS.v1.2-AiR.rar

Roger Nichols Digital FINIS VST-RTAS v1.2

2007-11-07T14:12:00.000-08:00

Brick-wall Limiting & Loudness Maximization

We all know that unplanned digital distortion is bad news. Use Finis to control your audio levels and prevent distortion from rearing its ugly head. And when you need to give your audio more edge, Finis helps you maximize your audio's loudness. Even at extreme settings, Finis can control levels without audible distortion. Whether you just need to catch an occasional over or to increase the average level of your audio, Finis offers a flexible solution.
Psycho
Finis employs psycho acoustic limiting algorithms that analyze several aspects of your audio and, considering the way humans perceive volume levels, intelligently adjusts your audio levels to keep them under the maximum you have specified. To most effectively control your levels, Finis looks ahead of your audio, watching for any peaks that would exceed the maximum output level. It quickly decreases the level to bring the peak under the maximum, preventing distortion from occurring. Because Finis is a brick wall peak limiter, it will never allow the audio to exceed the maximum output level you have specified.
Get Three for the Price of One
You want more control over the way a limiter behaves or "sounds". After all, the same limiting style doesn't fit every purpose. That's why Finis provides three distinct limiting algorithms - so that you can tweak the plug-ins limiting style to meet your needs. But Finis offers choice without complexity. You only need to interact with two primary controls to get the response you want. Using Finis is simple - in many cases it can just be activated, a few small adjustments to the Release or Reaction controls and it is done.
Peak, and RMS, and Crest Factor, Oh My!
What is a limiter without proper metering? Finis gives you all the metering you need to get the most from your limiting. To make sure that you don't lose sight of any aspect of your audio levels, Finis introduces an integrated Peak, RMS, and Peak hold meter. What's more, because limiting affects audio dynamics, Finis includes an innovative new Crest Factor meter. This meter ensures you don't kill your audio dynamics. Unless of course, that's the goal.
The World Of Limiting Just Got Brighter
Finis employs the most advanced psycho acoustic algorithms we know of. Great Tools don't need to have complicated user interfaces.

http://rapidshare.com/files/67838304/Roger.Nichols.Digital.FINIS.VST.RTAS.v1.2-AiR.rar

Roger Nichols Digital SPL-ICER VST-RTAS v1.01

2007-11-07T13:24:00.000-08:00

You know about signal processing: EQ, compression, distortion, reverb . . . and it’s a beautiful thing. But multiband signal processing, which divides a signal into different frequency bands and applies processing to each band individually, takes the concept to the next level.
Probably the most common example is multiband compression, which typically splits a signal into three to five bands. This is used a lot with drums and program material (e.g., a mixed stereo signal), because single-band compression has limitations. For example, with drums, suppose you feed the drums through a compressor and there’s a strong kick hit. That causes compression to occur, and it affects the high-frequency sounds as well, such as hi-hats. With multiband compression, you could put drastic compression on the low-frequency kick drum, while adding only a slight amount of compression (or none) to other frequency ranges. When used with program material, multiband compression gives a less “squashed,” more transparent sound.
Other Uses
Because a keyboard covers such a wide frequency range, you might want to process one frequency range differently. For example, suppose you've loaded a cool imitation-Rhodes preset, and you want the lower notes to "bark" more than the upper notes. Apply multiband distortion, and apply subtle amounts of distortion only to the lower frequencies - say, below 200Hz. Now those lower keys will have a gritty character, while the others sound normal. Vocals are often split into high and low frequencies, then delay is added only to the higher frequencies. Thus the sibilant-rich sounds have echo, while the lower notes do not. If there's a fairly dense instrumental background, this technique avoids muddying up the midrange - the vocal echoes "float" over the other sounds. So how do you use your favourite processing or sound tool in a mutliband environment?
The SPL-IZER is an adjustable 3 band 24db per octave FIR (Finite Impulse Response) frequency splitter that allows the three bands to be isolated and routed to aux or instrument tracks for separate processing.
The use of FIR filters ensures that no phase shifting occurs at the frequency split points. With this tool, one can use for example ones favorite single band compressor (let's say uhm.. Dynam-izer) and make it 3 band. There is of course a myriad of potential uses. One use we found was to use the Spl-izer in front of the reverb auxes. No reverb on the low end, the original reverb on the mid section and the same reverb but with reduced decay on the high end. Acoustic rhythm guitar track run through the Spl-izer: low end muted, mid section straight through and a short echo/ chorus only on the high end.
Features
Spl-izer features user adjustable frequency split point and audio levels.
The low to mid split point can be set from 80Hz to 1475 Hz.
The mid to high split point from 80Hz to 16kHz.
The user can choose between using Hanning or Blackman windows.
The various level meters feature RNDigital's proprietary +8db input meter with peak and RMS level indicators.
The direct output of the plug-in can be switched between Mute, Sum, Low Band, Mid Band and High Band for instant monitoring.
The three bands created by the the splitter each have their own level meter and adjustable gain.
The plug-in makes these signals available to your DAW as individual busses.
The Spl-izer created buss signals ( SPL-IZER LOW, SPL-IZER MID and SPL-IZER HI) can then be insterted as input on any other track for further processing. A large Band level meter indicates both the crossover points and the audio level of each band.

http://rapidshare.com/files/67835901/Roger_Nichols_Digital_SPL-ICER_VST_RTAS_v1.01_AiR.rar

Roger Nichols Digital DETAILER VST-RTAS v1.2

2007-11-07T12:06:00.000-08:00

Come into the Mix
Detailer is a stereo mastering process developed by Roger Nichols and used in countless hit records. Detailer offers a new way of increasing the perception of "detail" in the mid level of a final mix while still allowing increased loudness. The process involves a combination of three-band limiting and dynamic widening using psycho-acoustic processing. Roger Nichols has fine tuned the process to produce the most effective result with the least amount of adjustment.
Three is better than one
Detailer splits the incoming signal into three frequency bands that are each processed independently. Great care has been taken to eliminate phase shifts at the crossover points, a common problem with multi band plug-ins. Once the signal processing is complete, the three bands are recombined into a full frequency band signal.
Dynamic widening without the mud
Detailer uses spectral harmonic detection and intelligent parameter adjustment to apply its innovative dynamic-widening processes only where and when it is useful.
Make it loud, please
Using the advanced limiting algorithms from our highly acclaimed Finis plug-in ensures maximum audio levels - if that is needed - while preserving audio dynamics. Using Detailer along with Dynam-izer will give you the loudest mixes on the planet, and leave your dynamics intact.
What you see is what you get
A comprehensive set of meters lets you adjust Detailer settings to perfectly match the specific characteristics of your audio signals.

http://rapidshare.com/files/67833959/Roger.Nichols.Digital.DETAILER.VST.RTAS.v1.2-AiR.rar

Waves API Collection

2007-11-06T18:49:00.000-08:00

Developed in association with Automated Processes Incorporated, the API Collection features four precision processors based on renowned API modules:

550A 3-Band Equalizer
Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal equalization at 15 points in 5 steps of boost divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of all other settings. The 550A is a uniquely powerful equalizer with that one-of-a-kind API sound.

550B 4-Band Equalizer
Featuring four overlapped EQ bands, the API 550B is invaluable as both a problem solver and a sweetening device. With 7 switchable filter frequencies spanning up to 5 octaves per band, the 550B’s “Proportional Q” automatically widens the filter bandwidth at minimal settings and narrows it at higher settings. It even lets you undo previous processing, affect or even reverse tonal modifications. With its vast range of tonal possibilities, the API 550B is a versatile EQ for all your processing needs.

560 10-Band Graphic Equalizer
Based on the 1967 classic, the API 560 10-Band Graphic Equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. The API 560’s curve shaping potential is unmatched, while API's unique "Proportional Q" design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. And since boost and cut characteristics are identical, previous actions can be easily undone. For precision equalization with unmatched versatility, turn to the EQ heard on top recordings for decades: the API 560.

2500 Stereo Compressor
The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. Using auto-makeup gain, you can adjust Threshold or Ratio while automatically maintaining a constant output level. With both "feed back" and "feed forward" compression types, the API 2500 boasts a wide range of incredibly musical parameters which have made it a favorite of engineers the world over.

http://rapidshare.com/files/67786559/ApiV1.0-AiR.rar

Nomad Factory Blue Tubes Dynamics Pack VST-RTAS v3.2

2007-11-06T18:42:00.000-08:00

The Blue Dynamics Pack is a collection of 6 plug-ins processors for PC and Mac OSX. Designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic dynamic analog hardware. The sound quality of Blue Dynamics pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional "vintage-style" interface, as well as low CPU consumption for lightening-fast processing.

BT BrickWall BW2S
The BT BrickWall BW2S-XP is a simple and elegant brick wall compressor/limiter. Just insert the BT BrickWall BW2S-EX on your mono or stereo track, and you have a smooth audio track without the unwanted transients. By using this compressor/limiter on your master tracks, the harsh peaks in your program material will be eliminated allowing you to increase the overall level of your mix..
* Variable Release times.
* Threshold with maximizer control.
* Brick-Wall Peak limiter control.
* Easy-to-use vintage interface with gain reduction VU Meter.

BT Compressor CP2S
The BT Compressor CP2S emulates analog tube compressors in terms of looks, functions and sound including RMS and Peak compressions. A compressor words, but the warm analog sound of the BT Compressor CP2S is something you need to hear for yourself.
* Threshold and Ratio compression controls.
* Variable Attack and Release times.
* RMS and PEAK switch control.
* Ouput level (Makeup Gain) control.
* Easy-to-use vintage interface with gain reduction VU Meter.

BT DeEsser DS2S
The BT Deesser DS-2S is a stereo deesser with vintage controls and sound. This deesser is designed to tame the harshness of certain vocal sounds, specifically "ess" sounds (hence, the name). However, this device can be useful in controlling the level of other "sibilant" vocal sounds as well, such as "t", "sh" or "f" to name a few. A deesser works like a frequency specific compressor. In fact, the DS2S is essentially a compressor driven by a hi-pass/band-pass filters. It reduces the offending high frequencies when the level of those frequencies exceeds the threshold. Threshold and Frequency sliders are provided, as well as a Listen selector switch to hear only the frequencies being deessed. The DS-2S is the ideal way to take that unwanted "sizzle" out of your vocal tracks.
* Threshold and Variable Range.
* Internal Side Chain High and Low Pass Filters with Listen key.
* HPF and BPF modes.
* Easy-to-use vintage interface with gain reduction VU Meter.
BT Compressor FA770
The BT Compressor FA770 provides the operation and sound of highly coveted analog
compressors. The FA770 is designed with a fixed-ratio and "time constant" switch (see settings below) as part of its characteristic vintage sound. This model proves that you do not need many knobs and sliders to achieve the great compression sound of the FA770. Adjust the Threshold, maybe the Time Constant to adjust the speed, and there you have it.
* Input gain control.
* Threshold control .
* Presets of Attack/Release times (Time Constant) .
* Ouput level (Makeup Gain) control.
* Easy-to-use vintage interface with gain reduction VU Meter.

BT ExpanderGate GX622
The BT ExpanderGate GX622 tames the noise floor so that you hear only the audio you want to keep. This fully-adjustable gate/expander reduces (or cuts) the signal if the level becomes too low (as determined by the Gate Threshold setting). This controls unwanted background noise on the track(s). Like a compressor, the Attack and Release controls determine how fast the gate opens and closes. To help the gate decide when to open, you can use the two Filter controls (Side Chain).
* Variable Attack, Hold and Release times.
* Threshold and Range controls.
* Internal Side Chain High and Low Pass Filters with Listen key button.
* Easy-to-use vintage interface with gain reduction VU Meter.
BT Limiter LM2S
The BT Limiter LM2S is an easy-to-use tube emulation limiter. The straightforward controls and out-standing sound make this limiter the perfect tool for mastering. In addition to the basic limiting controls (Peak Reduction, Attack, Release, and Output Gain), the LM2S also includes a 5-band EQ. This allows you to address those final sonic details in a mastering session while increasing the apparent loudness of your mixes.
* Variable Attack and Release times.
* Threshold compression control.
* Output level controls.
* 5 Band graphic equalizer with Pre/Post compressor.
* Easy-to-use vintage interface with gain reduction VU Meter.

http://rapidshare.com/files/67781555/NFBTDynamicsPackv32.rar

Nomad Factory.Limiting Amplifier LM-662 VST-RTAS v1.3

2007-11-06T18:35:00.000-08:00

The Nomad Factory LM-662 Dual Limiting Amplifier is a recreation of the classic Fairchild 670 limiter. When using the LM-662, music and instruments reacts the same as a Fairchild 670 does. The Nomad Factory LM-662 Dual Limiting Amplifier is built to be a new classic by adding that vintage warmth and realism to the most demanding studio tracks.
- Useful as a limiter or a compressor depending on the program material and control settings
- Exceptional tone and musical focus
- Dual channel (dual mono) - A/B with individual controls
- Extremely fast attack time with variable release time from .3 seconds to 10 seconds

Designed by musicians for musicians, the LM-662 Dual Limiting Amplifier is an indispensable tool for your recording studio.

http://rapidshare.com/files/67766464/NFLA.LM-662.v1.3.rar

Nomad Factory Blue Tubes Equalizers VST-RTAS v3.2

2007-11-06T18:32:00.000-08:00

The Blue Equalizers Pack is a collection of 6 plug-ins processors for PC and Mac OSX. Designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic equalizer analog hardware. The sound quality of Blue Equalizers pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional "vintage-style" interface, as well as low CPU consumption for lightening-fast processing.

BT Equalizer PEQ322
Specially designed to meet the most demanding studio tracks, the BT Equalizer PEQ322 features 3 parametric bands with center frequency, bandwidth-Q and amplitude controls, high-pass and low-pass filters as well as low-shelf and high-shelf filters. The BT Equalizer PEQ322 delivers the controls and the amazing results of a true analog EQ. The PEQ322 is the perfect choice when a truly vintage EQ sound is what your music requires.
* 2 bands shelving equalisation
* 3 bands parametric equalization
* 2 bands pass-filters
* LF band variable from 30Hz to 450Hz - low-shelf
* LMF band variable from 200Hz to 2.5kHz - low-mid-parametric
* LM band variable from 400Hz to 5.5KHz - mid-parametric
* HMF band variable from 600Hz to 7.5kHz - high-mid-parametric
* HF band variable from 1kHz to 20kHz - high-shelf
* HPF variable from 20Hz to 80Hz
* LPF variable from 10kHz to 18kHz
* Each band offers ±15dB of gain and variable Bandwidth-Q
* EQ bypass switch on each band
* Input and output level controls giving ±24dB trim
* Peak-Limiter control
* Easy-to-use vintage interface.

BT Equalizer PEQ2B
The BT Equalizer PEQ2B recreates the sound of the classic 60's EQ. The interaction of the passive boosting and attenuating shelving eqs has been designed to bring back the life and musicality lost in the recording. The incredibly musical character of the BT Equalizer PEQ2B is the perfect choice when a truly vintage EQ sound is what your music requires. The PEQ2B is the equalizer of choice for final musical touches.
* Low Frequency control (CPS): from 20Hz to 140 Hz
* Low Frequency Boost control : Shelf Boost, 0dB to +15dB
* Low Frequency Attenuate control: Shelf Atten. 0dB to -18dB
* High Frequency Bandwidth control: Sharp to Broad
* High Frequency control (KCS): from 4KHz to 16KHz
* High Frequency Boost control: Peak Boost, 0dB to +18dB
* High Frequency Shelf Attenuate control: 5KHz, 10KHz and 20KHz
* High Frequency Attenuate control: Shelf Attenuate, 0dB to -18dB
* Ouput level control (Trim).
* Peak-Limiter control
* Easy-to-use vintage interface.

BT Equalizer PEQ5B
The BT Equalizer PEQ5B delivers the controls and the amazing results of a true analog EQs. Based on the PEQ2B, this model provides passive boosting and attenuating shelving eqs, 3 parametric bands with center frequency, bandwidth-Q and amplitude controls. BT Equalizer PEQ5B is more open and musical than other similar equalizers of the same type by adding an exceptional tone and character to your music.
* 2 bands shelving equalisation
* 3 bands parametric equalization
* 2 bands pass-filters
* LF band variable from 30Hz to 450Hz - low-shelf
* LMF band variable from 200Hz to 2.5kHz - low-mid-parametric
* LM band variable from 400Hz to 5.5KHz - mid-parametric
* HMF band variable from 600Hz to 7.5kHz - high-mid-parametric
* HF band variable from 1kHz to 20kHz - high-shelf
* HPF variable from 20Hz to 80Hz
* LPF variable from 10kHz to 18kHz
* Each band offers ±15dB of gain and variable Bandwidth-Q
* EQ bypass switch on each band
* Input and output level controls giving ±24dB trim
* Peak-Limiter control
* Easy-to-use vintage interface.

BT Equalizer BQ2S
The BT Equalizer BQ2S is a simple and elegant 3-band "British-Style" equalizer. The BT Equalizer BQ2S is equipped with high and low frequency shelving curves and a Parametric Mid-Band covering 300Hz-5kHz range. The BT Equalizer BQ2S is ideal for both tracking and mixing applications. The output stage includes a simple peak-limiter or 'Brick-Wall' circuit.
* LF band switchable from 60Hz, 90Hz, 120Hz and 220Hz - low-shelf
* MF band variable from 300Hz to 5KHz - mid-parametric
* HF band switchable from 6kHz, 8kHz, 10kHz and 12kHz - high-shelf
* Each band offers ±15dB of gain and variable Bandwidth-Q
* Output level controls giving ±10dB trim
* Peak-Limiter control
* Easy-to-use vintage interface.

BT Equalizer BX2S
The BT Equalizer BX2S is a two band Baxandall tone controls, which is simple but very effective. The BT Equalizer BX2 Baxandall tone-control shelving equalizer provides low shelf (Bass) boost and cut, as well as high shelf (Treble) boost and cut.
* LF band at 100Hz center frequency - low-shelf
* LF band at 5KHz center frequency - high-shelf
* Each band offers ±15dB of gain
* Master level controls giving ±10dB trim
* Peak-Limiter control
* Easy-to-use vintage interface.

BT Equalizer GEQ12
The BT Equalizer GEQ12 has been created to fit all appplications for the professional engineer. The large number of available EQ bands make the GEQ12 an ideal companion to parametric EQ, it is ideal for recording and mixing, where a professional result is required. The GEQ12 is the perfect tool for sculpting the fine detail out of raw digital audio. 12 EQ bands, adjustable Q and brick-wall Limiter circuit at the output.
* 12 Bands graphic equalizer
* Each band offers ±12dB of gain
* variable Bandwidth-Q
* Output level control ±12dB
* Peak-Limiter control
* Easy-to-use vintage interface.

http://rapidshare.com/files/67775832/NFBTEqualizersPackv32.rar

Nomad Factory Essential Studio Suite VST-RTAS v1.5

2007-11-06T18:28:00.000-08:00

No longer must you suffer with dry, lifeless tracks that lack the creative spark you need to stand out from the crowd. Nomad Factory’s Essential Studio Suite gives you the 9 most important plug-ins you’ll ever use.
This isn’t just marketing hype. All the necessities for both the studio novice and pro are here, from Multiband Compressor and Loudness Maximizer, to the Essential Channel, Graphic EQ, Gate/Expander and Compressor plug-ins. Come up with interesting effects for vocals and instruments with Tube/Tape Warmer and Retro-Vox. There’s also a Multiband Loudness Maximizer for getting the most volume out of your final mix, and Multiband Compressor for adding compression to the entire mix.
Whether you’re mixing down your multitracks to stereo, or mastering your final stereo mixes for CD replication, the Essential Studio Suite is packed with the kind of plug-ins that have proven essential for today’s music. And they’re easy to use because they were designed by musicians for musicians.

Multiband Compressor
The essential Multiband Compressor. With 3-band compression, Brick-Wall limiting and Curve Mode EQ, the Multiband Compressor brings together all the vital controls of multiband compression/crossover within this easy-to-use interface. This powerful compressor is ideal for any studio environment.

Essential Channel
The Essential Channel delivers maximum processing flexibility with minimum space required. The most critical channel processing functions are provided in a single plug-in: 3-band parametric EQ, Hi and Lo Shelf filters, Compressor, DeEsser, Noise Gate, and a Brick-Wall Limiter. This high-quality channel insert is a must for any digital audio project.

Essential Graphic EQ
The Essential Graphic EQ is the perfect tool for sculpting the fine detail out of raw digital audio. 15 frequency bands, adjustable bandwidth and brick-wall limiter allow for precise control over each audio channel. For any type of project, this EQ lets each track stand out with its own sonic character.

Essential Compressor
A quality compressor is an integral part of any studio toolkit. And with the Essential Compressor, every studio can be assured of professional results. This compressor provides intuitive control over the Threshold, Ratio, Attack, Release, and Make-Up gain. For both vocal and instrument tracks, the resulting sound is unmatched.

Essential Gate/Expander
Don’t lose valuable dynamic range in your tracks. Raise the level without increasing unwanted noise in the audio. The Essential Gate/Expander tames the noise floor so that you hear only the audio you want to keep. This fully-adjustable gate allows control of Threshold, Attack, Hold, Release and Range.

Multiband Loudness Maximizer
Make your mix stand out from the crowd. The Multiband Loudness Maximizer brings the sound of professional mastering to any audio application. The new multiband limiter from Nomad Factory delivers three frequency bands of look-ahead limiting and brick-wall limiting to precisely control and maximize the levels of a mix.
Loudness Maximizer
The Loudness Maximizer from Nomad Factory is the ultimate peak limiter for increasing audio levels. This Maximizer delivers look-ahead limiting and brick-wall limiting to maximize the levels of any studio project. Use the Loudness Maximizer on mono or stereo channels to get your mix noticed.

Tube/Tape Warmer
Digital audio can sometimes sound lifeless or brittle. Add some analog warmth to those tracks with Nomad Factory’s Tube/Tape Warmer. This effect gives sterile audio the coveted sounds of tube circuitry and analog tape saturation. Turn up the Drive control for extra bite, add Warmth to hear those tubes, and Blend the sounds of the analog tape and tube warmth.

Retro-Vox
The Retro-Vox by Nomad Factory provides amazing effects and processing functions for use specifically on vocal tracks. In addition to a Gate and Compressor, this plug-in offers Tone controls and hi/lo pass filters to create a wide range of vocal effects, such as "Gramophone", tape simulation or the mid-range "phone voice".

http://rapidshare.com/files/67772839/NFEssntialStdioS15.rar

Nomad Factory Liquid Bundle VST-RTAS v2.4

2007-11-06T18:21:00.000-08:00

The Liquid Bundle II
The Liquid Bundle gives you a variety of incredible effects plug-ins. The plug-ins in this bundle include Liquid Compressor II, Liquid Delays II, Liquid Gate II, Liquid Mod II, Liquid Phase II and Liquid Verb II. These tools are ideal for the sound designer, mixer and musician. And although this plug-ins provides intuitive and simple controls, the sound quality they deliver is full and warm. Plus, Liquid plug-ins operates efficiently to avoid over-taxing your CPU resources.
Designed by musicians for musicians, the Liquid Bundle II is an essential tool for your virtual studio.

Liquid Compressor II
The Liquid Compressor II pumps up your sound and keeps your dynamics in check. The Liquid Compressor II can add depth and sustain to your sound while helping you cut through a mix. Easy-to-use modern interface with gain reduction light-meter. It is offered in Mono and Stereo.
Variable Attack and Release times.
Threshold and Ratio compression with Soft/Hard Knee selector.
Internal Side Chain High and Low Pass Filters with Listen key and Bypass button.
Peak and RMS modes.
Brick-Wall Peak limiter.
Easy-to-use modern interface with gain reduction light-meter.

Liquid Delays II
The Nomad Factory Liquid Delays II is a filtered dual-delay effect plug-in, featuring two delays, resonant filters, tube saturation-overdrive, peak-limiter and LFO. The Liquid Delays II is capable of clean-delays, dirty-delays, filtered-delays, and more. From basic synced delays to dirty, grungy, distorted delayed filters, the Liquid Delays II can create amazing effects.
LFO Rate and Depth controls.
Sync to the host's tempo.
Dual Delay using notation values controls.
HP and LP filters controls.
Overdrive control.
Input level, Ouput level and Mix controls.
Easy-to-use modern interface with LFO light-meter.

Liquid Gate II
The Liquid Gate II tames the noise floor so that you hear only the audio you want to keep. This fully adjustable gate/expander allows control of Threshold, Attack Time, Hold Time, Release Time and Range. To help the gate decide when to open, you can use the two Filter controls (Side Chain). Easy-to-use modern interface with gain reduction light meter. It is offered in Mono and Stereo.
Variable Attack, Hold and Release times.
Threshold and Range.
Internal Side Chain High and Low Pass Filters with Listen key and Bypass button.
Peak and RMS modes.
Easy-to-use modern interface with gate reduction light-meter

Liquid Mod II
Chorus and Flanger effects operate on a very similar basis, that's why they were both implemented in the Liquid Mod II. The Liquid Mod II produces vintage tape flanging, gentle choruses, sharp phasing, phaser-emulation effects and a variety of dual-delay-modulation sounds quickly. It has the character of a vintage chorus-flanger unit using modern features options.
Chorus or Flanger effects.
Analog or Digital processing modes.
LFO Rate and Depth controls.
Sync to the host's tempo.
Feedback control.
Overdrive control.
Ouput level and Mix controls..
Easy-to-use modern interface with LFO light-meter.

Liquid Phase II
The Liquid Phase II emulates the sounds of classic analog phasers from the 70’s and 80’s. The Liquid Phase II provides a wealth of vintage and modern phasing effects. The selectable "Phaser Stage" control allows you to select any number of stages between 2 and 24 including all odd numbers. Using an odd number of stages sounds totally different than an even number of stages, this cool feature allows the Liquid Phase II to create unique phasing and modulation effects.
LFO Rate and Depth controls.
Sync to the host's tempo.
Analog or Digital processing modes.
Low and High frequency stages contour.
Overdrive control.
Ouput level and Mix controls.
Easy-to-use modern interface with LFO light-meter.

Liquid Verb II
The Liquid Verb II Digital Reverb is a great professional reverb for music and post-production applications. From spacious concert halls to small rooms, the Liquid Verb II delivers professional-quality reverb and ambience processing to the most demanding studio sessions. Designed to be musical, the Liquid Verb II is easy to use with just a few controls and a simple modern interface.
Small, Medium and Large reverberation times. (0.1 to 10 secs)
Three band equalizer with Pre/Post reverberation.
HP and LP Filters section (post reverberation).
Pre-Delay and Reverb time (RT60)
Wet and Dry level controls.
Input and Output level controls.
Easy-to-use modern interface.

http://rapidshare.com/files/67770655/NFLiqdBndle24.rar

Nomad Factory Studio Channel SC-226 VST-RTAS 1.3 AIR

2007-11-06T18:19:00.000-08:00

The Nomad Factory Studio Channel SC-226 is a stereo channel recording plug-in, featuring four band equalizer, an analog "signature" optical compressor and at the heart of the shelving and bell filters, a tube simulator and Brick-Wall peak limiter designed to reproduce the warmth of vintage recordings with unrivaled quality and realism. The Studio Channel is tube style virtual equalizer / compressor. It is equally suited for delicate vocal as well as dynamic instrument recordings such as lead guitar, bass guitar, drums and horns. The algorithm was designed to emulate the response of a high-end vintage analog equalizer/compressor. The Studio Channel plug-in is available in RTAS, VST and AudioUnit format for MAC OSX and Windows XP/Vista32. Exceptional for tracking, mixing or mastering, the Studio Channel recreates the warm sound qualities of its analog hardware ancestors. Designed by musicians for musicians, the Studio Channel is an indispensable tool for your recording studio.

http://rapidshare.com/files/67768937/NFSC-226v13.AIR.rar

Nomad Factory Program Equalizer EQP-4 VST-RTAS v1.3

2007-11-06T18:13:00.000-08:00

The Nomad Factory Program Equalizer EQP-4 is a full range stereo channel unit, featuring low and high cut, low and high frequency boost and attenuation (shelving or peaking) as well as two overlapping bands of equalization. The two mid-range frequency sections has variable bandwidth, boost/attenuation (peaking) and frequency selector. All these features allow the Program Equalizer EQP-4 to handle several EQ’ing chores, from the subtleties of mastering to radical tone shaping often needed during tracking. The simple beauty of these EQ is nothing else than amazing!. Intended to recreates the warmth of classic analog hardware equalizers, the Program Equalizer EQP-4 will add that magic touch to your music.
Designed by musicians for musicians, the Program Equalizer EQP-4 will quickly become the work horse of your virtual studio.

http://rapidshare.com/files/67767660/NFPE.EQP-4.v13.rar

Nomad Factory Limiting Amplifier LM-662 VST-RTAS v1.3

2007-11-06T04:43:00.000-08:00

http://rapidshare.com/files/67766464/NFLA.LM-662.v1.3.rar

Nomad Factory-Blue Tubes Analog TrackBox VST-RTAS v1.3 - AiR

2007-11-06T04:38:00.000-08:00

Analog-Channel-Strip Plug-in
The Blue Tubes Analog TrackBox is not an update or a replacement for our very popular Blue Tubes Bundle, but complementary unit that incorporates a substantially different combination of elements. The Blue Tubes Analog TrackBox is an all-purpose channel strip tool designed with the ultimate in sound quality and audio character for maximum musical flexibility.
The Tube-Emulator section has the unique option of being able to switch between two different sounding tube options from Single-Triode to Dual-Triode. The independent Amount and Color controls permit overdrive of the Tube-Emulator stage to vary the harmonic content of the signal.
The Gate/Expander section tames the noise floor so that you hear only the audio you want to keep. This fully-adjustable gate/expander reduces (or cuts) the signal if the level becomes too low (as determined by the Gate Threshold setting). This controls unwanted background noise on the track(s). Like a compressor, the Attack and Release controls determine how fast the gate opens and closes.
The Compressor section, derived from our popular Blue Tubes Compressor CP2S emulates analog compressors in terms of looks, functions, and warm analog sound found in vintage compressors to provide the classic feedback response unique to the characteristics of the Blue Tubes Analog TrackBox.
The Equalizer section, derived from the Blue Tubes PEQ322 is designed to meet the most demanding studio tracks, features 2 parametric bands with center frequency, bandwidth-Q and amplitude controls as well as low-shelf and high-shelf filters. The Equalizer section delivers the controls and the amazing results of a true analog EQ.
The new Blue Tubes Analog TrackBox is the latest addition to the Blue Tubes Plug-ins range, and combines all the best elements of the Tube Emulator, CP2S compressor and PEQ332 parametric equaliser to create a truly flexible and spectacular sounding valve front end for any audio system.
The Blue Tubes Analog TrackBox is designed by musicians for musicians.

http://rapidshare.com/files/67765228/NFBTAnalogTrackBoxV13-AiR.rar

Nomad Factory BlueVerb DRV-2080 VST-RTAS v1.4

2007-11-06T04:35:00.000-08:00

The Nomad Factory BlueVerb DRV-2080 is a vintage-style world-class recording studio reverb. This "must-have" reverb plug-in includes individual two-band equalization, as well as ambiance, decay RT60 and pre-delay controls. Whether sweetening mono or stereo tracks, or simply adding dimension to an entire mix, the BlueVerb DRV-2080 has all the flexibility you’ll need to custom craft your sound. Intended to recreate the warm qualities of vintage-style digital reverbs from the 80’, the BlueVerb is nothing short of amazing. The BlueVerb DRV-2080 plug-in is available in RTAS, VST and AudioUnit format for MAC OSX and Windows XP/Vista32. Impressive for tracking, mixing or mastering, the BlueVerb DRV-2080 is a well-designed, superb-sounding effects processor with a unique and attractive sound character .
Designed by musicians for musicians, the BlueVerb DRV-2080 is an indispensable tool for your recording studio.

http://rapidshare.com/files/67764131/NFBVDRV-2080v14.rar

Waves API Collection

2007-11-06T04:23:00.000-08:00

Developed in association with Automated Processes Incorporated, the API Collection features four precision processors based on renowned API modules:
550A 3-Band Equalizer
Modeled on the late 1960’s legend, the API 550A EQ provides reciprocal equalization at 15 points in 5 steps of boost divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter can be inserted independently of all other settings. The 550A is a uniquely powerful equalizer with that one-of-a-kind API sound.
550B 4-Band Equalizer
Featuring four overlapped EQ bands, the API 550B is invaluable as both a problem solver and a sweetening device. With 7 switchable filter frequencies spanning up to 5 octaves per band, the 550B’s “Proportional Q” automatically widens the filter bandwidth at minimal settings and narrows it at higher settings. It even lets you undo previous processing, affect or even reverse tonal modifications. With its vast range of tonal possibilities, the API 550B is a versatile EQ for all your processing needs.
560 10-Band Graphic Equalizer
Based on the 1967 classic, the API 560 10-Band Graphic Equalizer features precision filtering and high headroom, ideal for signal enhancement and room tuning. The API 560’s curve shaping potential is unmatched, while API's unique "Proportional Q" design intuitively widens the filter bandwidth at lower boost/cut levels and narrows it at higher settings. And since boost and cut characteristics are identical, previous actions can be easily undone. For precision equalization with unmatched versatility, turn to the EQ heard on top recordings for decades: the API 560.
2500 Stereo Compressor
The API 2500 is a versatile dynamics processor that lets you shape the punch and tone of mixes with absolute accuracy. Its dual channel design lets the 2500 also function as two separate mono channels via a single compression setting. Using auto-makeup gain, you can adjust Threshold or Ratio while automatically maintaining a constant output level. With both "feed back" and "feed forward" compression types, the API 2500 boasts a wide range of incredibly musical parameters which have made it a favorite of engineers the world over.

http://rapidshare.com/files/67786559/ApiV1.0-AiR.rar

Waves GTR3 Guitar Tool Rack

2007-11-05T19:55:00.000-08:00

GTR3 is the best sounding virtual guitar amp and effects software in the world. Period.Waves captured the finest vintage and contemporary amps from Fender®, Marshall®, Mesa/Boogie®, Vox®, and more, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your computer. And with GTR3’s host-free Standalone ToolRack, all you need to do is plug in…and play!
Waves makes the tools of choice for the world’s most demanding sound experts: Grammy®-winning Multi-Platinum producers, engineers, and artists. That’s why GTR3 has to sound indistinguishable from the originals.Whether you’re laying down tracks in the studio or live onstage, GTR3 is the only guitar processor you’ll ever need. Native or TDM, Mac or PC, with or without a DAW, anytime, anywhere, you’re ready to rock.

http://rapidshare.com/files/67748057/gtr3.rar

Waves L3-16 VST-RTAS v1.0-AiR

2007-11-05T19:09:00.000-08:00

Presenting the newest member of Waves’ acclaimed L-Series: the L3-16 Multimaximizer, a 16 band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer™ Peak Limiting Mixer technology, the L3-16 maximizes your sound with pinpoint precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear.

http://rapidshare.com/files/67741889/WL3161AiR.rar

Dave Pensado Presets for Waves Plugins

2007-11-05T19:07:00.000-08:00

To celebrate our 15th anniversary, selected Waves Artists are sharing
exclusive presets for their favorite Waves tools. Think of it as our 15th
anniversary gift to you: Studio secrets from some of the world’s top
producers, engineers, and artists. We kick off the celebration with over 100
never-before-heard presets from master mixer engineer Dave Pensado.

Pensado IR1 Impulses(Schnee Studios_scg1v2, St John Church_sWg1v2, Synthetic_x_Rotor)
Pensado C1 Comp-Gate Presets
Pensado C4 Presets
Pensado DeEsser Presets
Pensado Doppler Presets
Pensado Doubler Presets
Pensado Enigma Presets
Pensado GTR Amp Presets
Pensado GTR Stomp 4 Presets
Pensado IR1 Presets
Pensado L1 Presets
Pensado L2 Presets
Pensado MaxxBass Presets
Pensado MaxxVolume Presets
Pensado MetaFlanger Presets
Pensado MondoMod Presets
Pensado Morphoder Presets
Pensado Paz Analyzer Presets
Pensado PS22 Spread Presets
Pensado PS22 XSplit Presets
Pensado Q10 Presets
Pensado RBass Presets
Pensado RComp Presets
Pensado RDeEsser Presets
Pensado REQ Presets
Pensado Rverb Presets
Pensado RVox Presets
Pensado S1 Imager Presets
Pensado SSL Comp Presets
Pensado SuperTap 6-Taps Presets
Pensado TransX Multi Presets
Pensado TransX Wide Presets
Pensado VEQ4 Presets

http://rapidshare.com/files/67739507/DPensadoPrsts.rar

Db.audioware.Sidechain.Gate.VST.v1.1.0-AMPLiFY

2007-11-05T18:59:00.000-08:00

Crisp clean gating from the plug-in gate with true multi track side-chaining operation.

Sidechain Gate lets you perform clever mixing techniques, by using a source track to gate a destination track. For example, you can use a complex hi-hat pattern in one track to rhythmically gate a synth pad in another track. Or simplify a busy bass guitar by gating it from a kick drum track (so the bass guitar is only heard when the kick drum sounds).
What's more, Sidechain Gate is easy to use, and works in almost any audio software package - even those that do not directly support side-chaining. It only takes a few mouse clicks and you're up and running!

Intelligent Gating On Single Tracks Too
Sidechain Gate also performs brilliantly as a conventional insert effect. The EQ and Shape controls allow you to intelligently gate problem recordings. Say you want to clean up a noisy recording of a snare drum, which has some bleed-through from a crash cymbal. Simply use the Hi Cut control to filter out the higher frequencies, and then the gate will only open when the snare is hit.

http://rapidshare.com/files/67738986/DbASGate110.rar

Musiclab RealStrat VSTi v1.0 Incl. Patch

2007-11-05T18:51:00.000-08:00

RealStrat - sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar techniques emulating on a standard MIDI keyboard.
RealStrat provides incredible playability based on the unique performance modes and easy-to-use keyboard layout as well as the advanced key/pedal/velocity switch system allowing a keyboardist to perform guitar parts with a whole new level of realistic expression. RealStrat Covers practically all sounds, articulations, and techniques a professional guitarist can produce on his Strat, including mute, bridge mute, harmonics, pinch harmonics, slap, unison bend, strumming, picking, chord chopping, scrapes, etc...
High quality dry samples recorded directly from Stratocaster pick-ups let you easily create any desired guitar sound using your favourite amplifier simulator.
RealStrat innovations:
Multi-channel layering technology, incorporating a custom library of specially recorded samples taken from every fret of all 6 strings of a real guitar
The unique Floating Fret Position technology, which imitates change of fret position of a guitarist's hand on the neck. This gives you the possibility of playing on up to 140 guitar frets using just 46 keys of a standard keyboard!
Guitar Touch technology letting you easily imitate basic guitar techniques (strumming, plucking, sliding, bending, muting, etc...), using standard MIDI keyboard and MIDI controllers, such as Pitch Bender, Modulation Wheel, Sustain Pedal, Aftertouch
Sound Humanize technology allowing to wholly reduce 'machine gun' effect on note repetition (tremolo, strumming, plucking, etc...)
RealStrat is equipped with powerful Pattern Manager containing complete MusicLab Guitar Pattern Library for easily creating guitar accompaniment tracks. All you have to do is to find the appropriate rhythm pattern[s] in the Pattern Manager tree view, copy it to the needed number of measures, start your sequencer and use MIDI keyboard to play chord changes, or alternatively add chords to a MIDI track via sequencer's editor.

http://rapidshare.com/files/67728998/MlabRStrat1InclPatch.part1.rar
http://rapidshare.com/files/67736609/MlabRStrat1InclPatch.part2.rar
http://rapidshare.com/files/67737172/MlabRStrat1InclPatch.part3.rar

Stillwell.Audio.Plugins.Bundle.VST.v1.04

2007-11-05T18:45:00.000-08:00

Vibe-EQ
This is one of those mythical plugins that makes things sound better just by
plugging it in. Really. Unlike 1973, which is a very pristine EQ plugin (but a
VERY good EQ, all the same), Vibe-EQ is all about color. The more boost or cut
you dial in, the more color and funk you get. This may not be your go-to EQ
every time, but youll wind up using it more often than youd expect.

Sculpto
Draw Bezier curves over your audio waveform to create envelope shapes to
follow or clip to. Clean errors, sharpen transients, or design entirely new
sounds. All in real time, with amazingly low CPU use.

1973
The Neve 1073 is probably one of the best large-format console channel
modules ever made. Punchy, detailedit was almost impossible to make it sound
badfor its time. Lets not debate about large chunks of iron and wax/paper
versus electrolytic capslets talk about the sheer genius involved in picking
the proper EQ frequencies, bandwidths, and slopes. THIS is where 1973 is
coming fromnot an emulation, but a tribute. Taking the best features and
reducing them down to their essencethen making it utterly transparent and
smooth. Dial in some high end. No, more than thatcmon, more. What? Are you
afraid of that knob or somethingGIVE IT A TWIST, I SAID! Magic. THATs what
separates the men from the boys in EQs like thisthe ability to drop in
staggering amounts of smooth, detailed HF boost without shredding eardrums.

Bad Buss Mojo
How to describe this? Well, I guess well just settle for this: sometimes
digital is just TOO perfect. Im not going to say sterile or lacking soul,
because Id wind up eating my words sooner or laterbut sometimes you just
want a little grita little dirta little imperfection. Thats where Bad Buss
Mojo comes in. Bad Buss Mojo allows you to dial in specific tweaks to a
virtual mix buss amplifier. Is the + rail a little low? Dial it inPSU not
quite as stiff as it could be? Dial in a bit of knee in the bend. Old-school
transistors or even gasp tubes? Dial in some nonlinear modulation. Itll go
from I cant hear that youve done anything, but I like it all the way up to
Why did you run my mix through a guitar amp? Highly recommended (the plugin,
not running your mix through a guitar amp)

Event Horizon Plus
Event Horizon is a Peak-Eating Limiterhuh? Well, maybe a better description
is that its a clipper with an optional soft-clip circuit. By truncating
waveforms short of where the DAC would go into clipping, you can get VERY
transparent loudness increases unlike most limiters, Event Horizon does this
with ZERO pumping, ZERO transient or frequency artifacts, and with ZERO
latency. Now, it may not let you be louder than the latest flavor of the
month mastering limiter, but within its range of operation, you WILL get an
unsurped natural sound. Its output is what comes into itonly louder. If
you push it too hard, it will tell you in no uncertain terms that this is no
longer the right tool for the job. Give it a tryits fantastically easy to
use, and it sounds great!

Major Tom
Major Tom is not your ordinary compressor, no sir! It was designed with very
specific goals in mind, and blew completely past them. We like Major Tomcan
you tell? Major Tom is intended to be easy to use: there are no attack and
release controlsthe values vary depending on the level of the signal relative
to its threshold. These values are very finely tuned to make it as musical as
possible, without requiring a wall full of gold records to hit the right
settings. The attack/release settings are inspired by one of the true
stealth vintage compressors, the dbx 160. You may not hear about it much,
but youve heard it on records time and time again. Musicality: Thats the
second key. Major Tom WILL pump, but it should do so in a musical, rhythmic
manner. Put it on vocals gently for smoothingnice. Put it on b, but dont
go overboardbuttah. Put it on drums and go berserkSMACKIN. If you pull lots
of gain reduction, its going to turn into a savage, funky, living, breathing,
pumping instrument of destruction, but use it gently and it will be nice and
transparent, adding a subtle gloss to your tracks. Those looking for utterly
transparent gain reduction need not apply.

Transient Monster
This is simplicity itself. It will save your drum mixes. Two controls: Attack,
and Sustain. I would explain more, but you knowI really dont have to. Put it
on your drum buss. Turn the knobsyou WILL understand, and you will thank me
later. Okay, okayhave you ever had a drum performance that was REALLY laying
down the groove, but the recorded drum sound just didnt SNAP? Turn up the
attack. Need those ride cymbals to really ring instead of just dying down into
the mush? Turn up the sustain. Too much bleed and ring getting into your drum
tracks? Turn DOWN the sustain. See? I knew I didnt really have to explain it
to you.

Verbiage
Before convolution reverbs, there were Lexicon, Yamaha, Eventidehmm. Seems
like all the REALLY good reverbs were around way before everybody got the
convolution bug. This isnt a convolution reverbits an algorithmic reverb
put together the old-fashioned wayfrom your basic ones and zeroes. Its
extremely controllable (try changing the room size and damping of your average
reverb impulsedoesnt work, does it?), and very flexible. Separate control
over early and late reflections, stereo or mono in (input mix), stereo or mono
out (width), flip wet output channels for cross reverb (very cool for panning
mono instruments and letting them fill a space without getting overly wet),
high-p filters, gatingits all there. This is NOT the reverb you would use
to emulate a physical space (thats what convolution reverbs excel at), but
this is a true gem for sweetening tracks with reverbadding that special
shimmer to tracks that you cant really get any other way.

Psychodither
Gods Own Dither. A breakthrough adaptive algorithm reacts in real-time to the
signal audio to preserve the maximum possible dynamic range at any bit depth.
Select a dither color and dial in psychoacoustic noise shaping power to choose
exactly the right hardness or softness for your final renders.

Schope
One Scope To Rule Them All. A multitool, multiview, multichannel waveform,
frequency, signal and channel phase analyzer lets you superimpose and view
multiple audio signals from every dimension. Scope pre- and post-compression
signals together to see if youre flattening peaks. Scope kick drum and b
together for EQ scooping. Scope DI and amped guitar signals together to fix
phase problems. Pan, zoom, scrub, save, load, goniomete, and zambulize.

Spectro
An intuitive, real-time spectral editor. Draw boxes to add or subtract gain,
mute, or solo specific frequency ranges. Clean up accidental room noise,
remove harmonic bleed, perform surgical EQ, write your own multiband
compressor, de-ess, or get creative and combine additive filters for some
truly wild effects. It can be anything from a scalpel to a bludgeon. All in
real time, with amazingly low CPU use. Try it!

http://rapidshare.com/files/67720427/SAdioPBndl104.rar

Ueberschall - Liquid Instruments - Trumpet

2007-11-05T04:39:00.000-08:00

Liquid Instrument Series Trumpet is the ultimate choice plugin for real feel Trumpets.Add some amazing trumpet licks, themes and solos to your production.All professionally played with different grooves and flavors, a variety of styles and trumpets (basic, mute and flugelhorn).Loop-based construction kits (480 licks) plus over 1000 add-on licks and phrases (jazz, funk, pop, soul, afro cuban, buena vista, bebop and electronica).The amazing timestretch and pitch possibilities of the Liquid engine will fit them perfectly into your productions.BLOW THE HORN!Full 24 bit recordings, 1.5 GB library, 1570 licksMAC/PC, RTAS, VST, Audio Units. StandAlone

http://rapidshare.com/files/67436651/dyn-ulit.r00

http://rapidshare.com/files/67444001/dyn-ulit.r01

http://rapidshare.com/files/67450466/dyn-ulit.r02

http://rapidshare.com/files/67456719/dyn-ulit.r03

http://rapidshare.com/files/67463045/dyn-ulit.r04

http://rapidshare.com/files/67469147/dyn-ulit.r05

http://rapidshare.com/files/67475211/dyn-ulit.r06

http://rapidshare.com/files/67480978/dyn-ulit.r07

http://rapidshare.com/files/67486270/dyn-ulit.r08

http://rapidshare.com/files/67492015/dyn-ulit.r09

http://rapidshare.com/files/67497464/dyn-ulit.r10

http://rapidshare.com/files/67533485/dyn-ulit.r11

http://rapidshare.com/files/67536357/dyn-ulit.r12

http://rapidshare.com/files/67539437/dyn-ulit.r13

http://rapidshare.com/files/67543620/dyn-ulit.r14

http://rapidshare.com/files/67549656/dyn-ulit.r15

http://rapidshare.com/files/67555493/dyn-ulit.r16

http://rapidshare.com/files/67561476/dyn-ulit.r17

http://rapidshare.com/files/67567621/dyn-ulit.r18

http://rapidshare.com/files/67573869/dyn-ulit.r19

http://rapidshare.com/files/67579961/dyn-ulit.rar

keygen

http://rapidshare.com/files/67579989/dyn-ulitkg.rar

Rons Bundle - Brushes, Patterns and Backrounds

2007-11-04T17:32:00.000-08:00

CS-CS2-CS3

A mega set and first aid kit...

http://rapidshare.com/files/67014098/RonsB.part1.rar
http://rapidshare.com/files/67027296/RonsB.part2.rar
http://rapidshare.com/files/67039688/RonsB.part3.rar
http://rapidshare.com/files/67273378/RonsB.part4.rar
http://rapidshare.com/files/67285703/RonsB.part5.rar
http://rapidshare.com/files/67291242/RonsB.part6.rar

Zero-G - TOTAL HOUSE - STYLUS RMX LIBRARY

2007-11-04T16:30:00.000-08:00

The reviewers agree - this enormous library really is the ultimate in house collections! It's bursting with 1600 of the toughest house grooves, loops, basses, synths, vocals and FX. Tons of samples all BPM matched and grouped from top names in the house music world. If house is your poison, you'll never need another sample library package! Total coverage!
"...There really is very little about this beautifully polished and compiled release that warrants anything other than high praise.... With a name like Zero-G you can expect quality, but the sheer ease of use and clever layout of this library will make Total House both a pleasure to use and source of inspiration for a long while to come...there seem to be so many finely tuned 'kickin' house breakbeats stuffed onto the disk that finding something that wouldn't work in your house track would, I imagine, be almost impossible.." Sound On Sound

http://rapidshare.com/files/66891415/TtlHs.part1.rar
http://rapidshare.com/files/66901565/TtlHs.part2.rar
http://rapidshare.com/files/66917897/TtlHs.part3.rar
http://rapidshare.com/files/66924042/TtlHs.part4.rar